Season One of ST:TNG makes the character development on Space:1999 feel like five seasons of Babylon 5. How about even a half season of Firefly? Okay, I'm exaggerating a bit here, but Space:1999 always did get a bum, undeserved wrap.
How is it, for whatever reason, ST:TNG always manages its way into the upper echelons of science fiction lists despite the weight of its first season, an unbalanced second season and a good number of lemons to boot along the way? To quote Obi-Wan Kenobi in Star Wars Episode II: Attack Of The Clones, "Curious?"
With all that Space:1999 achieved in two years as far as establishing an original mythology, a strong vision, a cast of intriguing characters with great potential and amazing visual effects, arriving over a decade before the first episode of ST:TNG aired, I wonder how it is this miracle series is continually relegated to a status far below that of ST:TNG? Would ST:TNG make the top ten lists based on its first two seasons? I suspect those are questions in this universe that shall forever go unanswered floating like endless stardust into the black void of space.
In fact, it's interesting British mastermind Gerry Anderson picked American thespian Martin Landau, while Gene Roddenberry selected British stage actor Patrick Stewart to helm and steer their collective ships. Both are incredibly strong actors. Just as Landau housed doubts about Space:1999 going into that unlikely commitment, Stewart too understood Star Trek: The Next Generation as a healthy pay check and secretly pondered the unlikely potential to go beyond one year, never mind the intended six year plan. You just never know.
What Landau and company achieved in just two seasons for Space:1999 versus what it took those backing ST:TNG to achieve over the course of seven seasons, one could argue Space:1999 was largely a bigger success despite cancellation. Let the debate begin. On the other hand one could argue Space:1999 might have achieved even greater heights had it gone seven years. Can you imagine? Oh the places we could have gone before.
In the meantime, we reach the ninth installment of Star Trek: The Next Generation, Season One, Episode 9, The Battle. Space:1999 delivered a classic called Force Of Life for its ninth installment. Does ST:TNG deliver as big at this point as Space:1999 did back in 1975?
"Ugly, very ugly" declares one of the equally distasteful looking Ferengi, a race of profiteers and traders, over the free offer by one of their own of Picard's old vessel the U.S.S. Stargazer. It's a derelict ship offered to the crew of the Enterprise-D.
The Captain is experiencing mental breaks with reality and reliving moments from his past aboard the Stargazer, abandoned nine years earlier by Picard and his then crew.
The Battle of Maxia. Data retrieves and reveals records that indicate Picard fired upon and destroyed a vessel while under a flag of truce. Audio files reveal Picard's voice, but Picard has no recollection. DaiMon Bok has forged the audio recordings. How?
Picard continues to suffer bouts of headaches. The question remains, how are the Ferengi responsible? Riker intervenes contacting the silly Ferengi prompting one to respond, "I'm all ears."
As Picard experiences mental conflict thanks to the Ferengi's manipulations of the Captain I couldn't help but feel a certain deja vu. The Battle was beginning to exhibit elements of schism reminiscent of Season One, Episode 5, The Enemy Within and Captain James T. Kirk's own psychic battle of sorts from Star Trek: The Original Series. It's very subtle.
Picard transports over to the Stargazer where this tale of revenge becomes more and more evident. Ferengi DaiMon Bok is looking to exact revenge on the Captain who took the life of his son during the Battle of Maxia.
The early boyish look of the always capable Number One. The Stargazer approaches the Enterprise-D. The Ferengi plan, the act of one sole Ferengi, outside the blessing of his comrades, is to see Picard destroyed. A thought maker is discovered in Picard's quarters. The device is altering Picard's good sense as he plans to fire upon the Enterprise-D leaving them no option but to fire back in self-defense ensuring certain death for Picard.
The Ferengi Captain, DaiMon Bok, is incarcerated for engaging in "this unprofitable venture." The Ferengi are clearly disgusted by their colleagues actions in using their resources for a personal motive. It is noted there is no profit in revenge as Picard agrees, "there never is." "Let the dead rest and the past remain the past." The thought makers are destroyed and Picard is saved. The episode does offer a little more information regarding the motivations of the Ferengi, but it doesn't make any more entertaining. No worries though, DaiMon Bok returns for Season Seven, Episode 22, Bloodlines.
Denise Crosby seemingly confused and uncomfortable in her role throughout Season One. There are certain aspects to Stewart's performance as Picard, Jonathan Frake's Number One [often finding himself in the tightest and most difficult of situations alternating between taking orders and giving them at the drop of a dime] and supporting roles from Gates McFadden and others that are entirely natural and strong on their own. Unfortunately, once again, the material here is weak and not entirely convincing particularly with the laughable thought maker as a storytelling device.
Seeing the return of the Ferengi offered me little comfort since their abysmal introduction in Episode 5, The Last Outpost. Thus far, the Ferengi have been poorly implemented as a race within the ST:TNG universe. Where is the Borg when you need them?
In the Star Trek: The Next Generation Companion, writer Larry Nemecek made note of Rick Berman's accurate reflections on the Ferengi dubbing them a "disappointment as a major adversary" and ranking the creatures high on the "silliness quotient." I couldn't second that emotion more.
There is little, credible logic to some of the shifts in the story. Picard verbally shares the famous Picard Maneuver and demonstrates he does indeed have the ball... wherewithal when required. At this point, you can only hope it's not just a story.
The idea of Picard as a sound tactician and captain has yet to be fully revealed. This is certainly a sticking point regarding the politically correct, ever so contemplative Captain thus far in the series. But far be it from me to be too hard. He is a Starfleet Captain after all and he had to be on the ball most of the time to get there.
Director Rob Bowman returns for his second outing following Episode 6, Where No One Has Gone Before. The Battle is a step back. Stylistically the episode isn't poorly constructed, but Bowman is working with thin material here. Bowman wouldn't truly shine until he took the reins of what I consider to be the season's hallmark, Episode 20, Heart Of Glory.
The Battle is both a mental battle of Picard versus Picard, but is far from the engaging Kirk versus Kirk of The Enemy Within. Mind you, both are entirely ludicrous, but Star Trek: The Original Series sold the idea and made it incredibly entertaining thanks to a script by Richard Matheson. The Enemy Within, did so much more with the dichotomy of the Captain's character, however great the impossibility of its science fiction. At least it was extraordinarily good fun. Even The Battle isn't a very convincing battle as battles and revenge tales go. Granted the title, The Battle, is as much a reference to Maxia as it is any present struggles. Is this the best you've got!? As much as this as much a mental battle as a physical one, Picard's maneuvers aren't enough to engage the viewer. Once again, ST:TNG misfires in its lackluster first season run.
May the legendary Picard Maneuver lead us to the light at the end of a fairly dismal Season One tunnel and right this ship.
The Battle: C-
Writer: Larry Forrester & Herbert Wright. Director: Rob Bowman.