Showing posts with label Neon Genesis Evangelion. Show all posts
Showing posts with label Neon Genesis Evangelion. Show all posts

Wednesday, February 22, 2012

Eva-01 Watercolor

Evangelion Unit-01, the gorgeous purple devil itself.

I suppose this entry is especially for the hardcore Evangelion fans and to record an entry of my endeavor for posterity. But anyone who enjoys the collectability of all things Evangelion this is at least one of a kind, like it or not. This is the final in a planned trilogy of paintings.

This is my third effort and venture into the world of watercolor painting. It is finally completed. I began the effort around Christmas 2011 and finished at the very end of January/ early February. Two weeks for framing and here we are. My apologies for the lack of images to capture the process. Somewhere along the way I lost sight of doing that and before I knew it I had finished painting and forgotten to use the camera.

I had planned a sort of Neon Genesis Evangelion watercolor trilogy for the living room, but The One To Be Pitied forbids me to put them on the wall. I'm waiting things out a bit. I'm hoping in time an opportunity will present itself. Though, it's not looking too good. Perhaps a yard sale is in their future? That would be unfortunate. Scrapped robots, how fitting. Any buyers out there?

As you know, my first effort was Evangelion Unit-02 or Eva-02. My second effort was Evangelion Unit-00 or Eva-00. As a fan of the series, I was reasonably satisfied as a novice. They were both sketched and painted on 12 x 18 watercolor paper and brought to their respective completions.

For the third and final outing I chose to make Eva-01 in the hopes it would be the center piece on the wall between the other two paintings. So I decided to go bigger on this one. I sketched and painted on 18 x 24 watercolor paper. So, like the Eva-01 itself, this was intended to be the monster with a fairly massive depiction in size.

I do think I'm learning and growing in the process even if just a little. Obviously I have no official training. I am essentially going into the dark night on this one. My kids love the pop art. In fact, the Boy Wonder was all about painting it orange and blue for a completely original representation. Mostly, I'm relatively pleased with the end result of this particular painting complete with the colors, borders and framing chosen. The fellow at Michael's, a guitar man, was digging it. He seemed sincere.

The One To Be Pitied, who has had some painting experience and training, essentially looked at me gobsmacked, speechless and refused to pay the painting deference of any kind. She's brutal. Ultimately she's the one that needs to give it a stamp of approval to make it on that wall and thus far that's not happening. I may have to go with a picturesque cabin in the woods in snow for the next one. My Eva-01 might as well be a naked leg lamp with fishnet, but even Darren McGavin got to put it on display for all the world to see. Of course, that "major award" never went over well. And The One To Be Pitied pretty much has a go at it like McGavin's wife in A Christmas Story. But, I do it for me, much like writing, and enjoy the process of creating a painting. The One To Pitied might ask: "Is that what you call it?" But, damn, I am still seeking a place that welcomes biomechanoid art in full color.

As far as the painting goes, I utilized an image from Neon Genesis Evangelion: The Series. Can you guess which episode? As you can see from the image included in the post, I took artistic license with some of the details, which don't show up on the selected animated cel I used for a guide. I chose to add the red highlights around the eyes often associated with this particular Evangelion. I also chose to detail the hands with the requisite bolts you can sometimes see in the series for the close-ups. The eyes were also lit up to give it the added sense of menace and terror often associated with the beast.

All in all, I'm generally pleased with the outcome and thought I would share the latest effort here with y'all. The complexity and depth of color and shade is always fascinating to me. Sometimes what you aim to achieve comes out on the paper like a happy accident. Though you can certainly achieve your desired vision by manipulating the paint until you get where you want to be. I suppose how I'm approaching the painting isn't necessarily best suited for watercolor. Regardless, painting always looks deeper and far more textured than an animated cel and I always appreciate that aspect of the art form. Look, if it doesn't make that wall and no one sees it at all, it's like it never got painted, so I share it with you. According to The One To Be Pitied, his paints are in the basement, all's right with the world [again]. That's alright, my AT Field is still intact friends. Now where is that still image of the boat in the harbor with the seagulls.

Friday, December 30, 2011

Happy New Year

... 2009. 2010. 2011. 2012. Feeling beaten, battered or bewildered after 2011? It certainly wasn't the easiest year. Rei knows a thing or two about having it tough. It seems like every year Rei takes a beating in Neon Genesis Evangelion as the pilot of an Evangelion, yet she's always putting everyone before herself.

May 2012 be your year.

Saturday, December 24, 2011

Merry Christmas

Merry Christmas to all and to all a good night.

Wednesday, May 11, 2011

Eva-00 Watercolor

Eva-00 from Studio Gainax TV Series Neon Genesis Evangelion. The image selection is from the second Rebuild film You Can (Not) Advance.

"So Dad, whatever happened to your artwork dreams?" my Boy Wonder says to me with a hint of sarcasm. "Hey, easy does it there big guy, I've finished two quote and quote pieces of art and that's better than nothing." He pushes, "Where's number three? You need to get on it." "On hold," I reply. "I'm a little busy taking care of you sonny boy." Great kid, but fresh as a bag of Wonder Bread.

This is the second official watercolor by The Sci-Fi Fanatic. The process was similar to the route taken for my painting of Eva-02. Interestingly, Eva-02 came together very quickly and in the end worked rather well. Eva-00 was assembled beginning with the sketch and ending with the finished product as well, but the process was slower due to the specificity of detail in the Evangelion.

I welcome the painter's advice out there regarding outlining. I have been utilizing black paint for the outline. I've always been a big fan of black outlines. Is this the way to proceed? I know it's art and it's wherever your creative desires take you, but I'm sure I am violating all kinds of painting rules.

In the end, the sketching process began and ended with the scrapping of one sketched image. It wasn't centered enough. This image isn't centered completely either, but it's far better than my first attempt.

Painting it was another story. I made mistakes with my first painting and I probably made some mistakes here. The watercolor paints were applied in spots heavily without water. I was definitely looking for texture, but some cracking occurred. I kind of like cracking. It makes you realize it's a painting. Of course, I don't want paint falling off. At the very least it stayed in place for the framing process.

The biggest problem I had with this character was getting the face of Eva-00 just right. The image I was working with was so tiny that I improvised the details in the hands, face and elsewhere as I saw fit. The face was a particularly troublesome area. I've seen many images of the Eva-00 face and this one was at such an odd angle it was difficult to get it just right or fully generate the sense of depth that is within the face. I used a variety of images as a guide, but ultimately I had to resolve it. I was having such a tough time with the face I sat on the painting for awhile. Furthermore, the background was originally violet in color in and around the clouds, but I opted to change it to an orange hue. I like orange. Still, I wasn't exactly sold on this second outing. I was definitely fonder of the first painting, but this one is growing on me.

Anyhow, after sitting on the painting for about two weeks I finally pulled it back out and looked at it and it appeared to be better than I had remembered. Does that seem strange? Perhaps I was too close to it. It's not perfect but my son felt it should be completed and thus the framing process commenced.

I made my embarrassing trek to Michaels and off it went. Eva-00 is the finished product you see before you. What are your impressions of it?

My next effort will be to increase the painting size for a centerpiece between Eva-00 and Eva-02. Yes, Eva-01 will be the third and final painting in The Sci-Fi Fanatic's Evangelion series watercolor painting experiment. I have yet to start it. After that I'm not sure, but I'd like to do something different. I've got my mind spinning on that race car, the G-2, from Gatchaman. Perhaps I'll just paint a fairy for my daughter The Girl Wonder. She'd like that.

Saturday, April 16, 2011

Fishing

Why not, right? Fishing. Seriously, I'm going to do it for a day. I'm going to sleep, exercise, watch movies, catch fish and then I will prepare the fish with my handy Eva-00 Progressive Knife. I will then enjoy the fish dish! Be back soon.

Wednesday, March 23, 2011

Eva-02 Watercolor

Eva-02 from Studio Gainax TV Series Neon Genesis Evangelion, Episode 8, Asuka Strikes!, in watercolor.
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I've been spending some of my time of late attempting to paint in watercolor. Please note the emphasis on attempting. I don't pretend to be an artist, but I'm working on it. It was kind of a flash of inspiration over a month ago.
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As a kid I used to draw and sketch all the time. I would draw pictures of The Thing from The Fantastic Four, Sasquatch from Alpha Flight or Silver Surfer just to name a few. John Byrne and George Perez were among some of my favorites. Great battles against great beasts were always a highlight. I wish I still had one of those silly drawings. The coloring was always done via crayon. For some reason I actually enjoyed crayons. I couldn't color with a crayon enough.
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Somewhere along the way I just stopped. Dead in my tracks- it was over. I just stopped doing it- no more sketching or coloring. Girls. School work. Real life. It all got in the way.
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You wake up one day and years have passed by and you realize, man, I used to draw and I drew pictures all the time. Battle Of The Planets. You name it. If it was a pop culture hero or science fiction classic in the making it was on my radar and I wanted to draw it. But again, you grow up and suddenly those things you enjoyed become less and less important. They shouldn't be discounted but they often are.
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Well, at the turn of the new year, I just decided to sketch again. Over dinner, a friend of mine who paints talked with me about oil painting and watercolors. She showed me samples of her paintings. My eyes got real big and a smile overtook my face. I knew right away I wanted to get back to drawing and explore if I had it in me to take it to the next level and thus began my research. Talking with her and learning more about the process I knew I would get started the next day. So, I picked up a modicum of paint supplies from Michael's. I knew I enjoyed sketching, but I had never painted before. So I didn't want to invest too much into paints and brushes. I didn't want to go overboard. I'm a very simple man. Give me the basics and I'll make it happen the best that I can. I don't need a 50 dollar paint brush, although they were nice.
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With coupons in hand, I managed to get brushes, paints and paper and bring my whole purchase to under 45 dollars. Up next, I had to focus on an idea and begin the process.
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As many here know, I have an endless fascination with all things Neon Genesis Evangelion. There are three primary Evangelion units in the TV Series. In Japan, they were designed by Ikuto Yanashita and all were designed brilliantly. The characters in the series are credited to Character Designer Yoshiyuki Sadamoto.
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As far as the Evangelions, it's actually near impossible to choose which one I love most on any given day. I quickly alternate between Eva-00, Eva-01 and Eva-02. They are that close. It really speaks volumes about how much I love each of their unique designs. Furthermore, mecha designs don't get me particularly excited. I can't be bothered with most in anime never mind actually painting a picture of one. It has to be pretty special in my estimation to get my attention. Gundam and others fail to energize me the way the Evangelions do. Transformers included. There's something truly elegant, organic, sleek and beautiful about the Evangelion designs that are absent from most of the traditional robot depictions. Gunbuster and Patlabor are also very nice creations aesthetically, but they still present a more traditional robot approach. I enjoy them, but nothing is quite as inspired as the work found in Evangelion. Thus, my decision to paint Eva-02 was born.
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Prepare for launch. I selected an image and stuck with it. The sketching was a process and most of my energy spent on the painting from the very beginning took place essentially on weekends where I had the most free time.
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Taking the sketching process into watercolor painting was taking it to a new level of challenge for me. I thought I'd share the result with you and get your impressions.
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My ultimate goal is to hang it on the living room wall where most of my pop culture excursions take place. I want the shadow of Evangelion hanging over my viewing experience. I'm not sure how that's going to fly with The One To Be Pitied. She's already informed me categorically NO FREAKIN' WAY!
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The final phase of my painting process returned me to Michael's for the art of framing. I was greeted by a young lady in her twenties. The exchange was amusing. "Don't make fun of me." She smiled. With my painting paper pad [say that 20 times] closed I explained, "I have a painting here I need to have framed." I opened the picture with some slight trepidation. She smiled. "What is it?" "That is a robot, well, sort of. It's animation. You see, it's an Evangelion." "An Evan--what?" "It's an Eva actually. It's an Evangelion, anime, robot. Well, it's not actually a robot. You see it's partially organic, a humanoid-robot type of--- thing... Anyway, you can't laugh. Do you think it looks good? You see a lot of paintings." "Yes, actually, ... no it looks good," she humored me. I don't know, maybe she was humoring me, but she was definitely amused at my expense.
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We proceeded to spend nearly an hour hammering out the proper mattes and frame. Color combinations were difficult and I'm not sure I was completely sold in the end, but it was honestly the best combination I could muster. It may have been the hardest part of the damn process of putting a painting together start to finish. Looking at it now I might have triple matted, but who knows. The perfectionist in me could drive one to drink.
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The girl was lovely. She was such a cool kid utilizing her white gloves to keep her hand oils off my painting. Then came the price. Now I'm thinking 75 bucks. Honest, I've never painted or even gone to purchase a frame, but heck I wanted to see this thing through to the dirty end no matter how preposterous my painting might have been to some. To me, it represented my time, my energy, my passion, my hobbies and it was something that I created from scratch like a blueberry pancake. In the end, I wanted to eat it up in its frame. "That'll be 184 dollars." Holy Ch-ching! I was mildly slack-jawed. I took a breath and smiled. Again, she was lovely and she's only the messenger. I said, "How about that 50% off sign back there. Does this include 50% off?" "Oh yes, it would be like three hundred and change." WOW! I thought skiing was expensive. Maybe I should start skiing again. I would save money. Well, there you have it. It was done. I had to finish this thing [and work harder to pay it off].
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"Okay, so I'll pick it up tomorrow then?" "Two weeks. It'll be about two weeks." Wow, I had no idea it would take so long to frame.
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Two weeks later and another young woman smiles and seems mildly amused by the art on display as she unveils and reveals to me the finished product in its frame. According to The One To Be Pitied, "a frame can even make junk look good." Ouch! Well, the lady told me she loved the colors. The One To Be Pitied reckons she may have been lonely. Brutal. Well, I liked it. On the whole, I was pleasantly surprised. I'm putting my first piece of work out there for y'all to give it to me straight. I can take it. Go ahead. I know you painters are out there. Shoot!
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All in all it was an artistically pleasing outlet and I'm on to my next project.
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Up next, another painting. After that, the world.

Sunday, January 9, 2011

The Notenki Memoirs & Yasuhiro Takeda

"There was the widespread idea that sci-fi was big enough to accommodate anything, which is why we actively promoted anime and tokusatsu* special-effects films that weren't considered "true sci-fi" by the old-timers." -Yasukiro Takeda [The Notenki Memoirs]-

*refers to the kaiju monster movies like Godzilla.

Takeda is the author of his own The Notenki Memoirs: Studio Gainax And The Men Who Created Evangelion. It's a fascinating story by an insider growing up in Japan and loving science fiction. He was born in 1957, ran science fiction conventions for nearly twenty years including the now legendary Daicon 3. Takeda went on to found Studio Gainax, the company behind Neon Genesis Evangelion, FLCL, Gunbuster, His And Her Circumstances and The Wings Of Honneamise. These are all series I would love to bring you right here.

The bottom line: I'm not alone in thinking quality anime should be eligible to qualify under the science fiction umbrella without reservation if its science fiction anime. Takeda saw the big picture.

I certainly can't say anime is for everyone and it may be one aspect of my own personal science fiction journey that might not appeal to everyone. Still, I relish the challenge of truly exploring what may be considered a sub-genre to some. To me it is a clearly fascinating art form executed by some immensely talented people in delivering some of the most exciting, intense and truly original science fiction ideas I've ever experienced.

The Notenki Memoirs is part of my journey in discovering the best anime has to offer not only by one of the founders of Studio Gainax, but through a man who began a fan like me. This isn't a book about Neon Genesis Evangelion, despite that wonderfully deceptive cover highlighting Evangelion Unit-01, but rather a man's personal journey from fandom to inevitably helming one of the most powerful animation studios in all of Japan. The research is critical in preparation for a proper analysis of the decidedly complex world of Evangelion. Analyzing anime in 2011 is shaping up to be, like those Eva units, a massive undertaking and challenge.

Ultimately, I suppose I liken myself a kind of sci-fi inclusionist like Yasuhiro Takeda himself. Based on his memoirs, I really get this guy and I also like and appreciate the way he thinks.