Monday, August 11, 2008

B5 S3 Ep16: War Without End Part One

This is the first time we see these two leaders in the same frame, Sinclair and Sheridan together. Also, no scar remaining from the encounter with Kosh in Interludes And Examinations.

OK. It’s going to be tough to top the stirring drama of Interludes And Examinations but we’ll see what happens here. Babylon 5, Season Three, Episode 16, War Without End Part One [or WAR! What Is It Good For? Maybe Saving A Little Thing Called The Future!] is suppose to be a doozie, in fact, a two-part doozie no less. We’ll soon see. One big upside is Director Michael Vejar is on the case for both, always a good sign. For some reason, when I was writing my thoughts down about this installment I wound up drafting roughly 6 pages. I generally write about 4 pages so this one was fairly lengthy and clearly packed with loads of information, so off we go.

Those semi-cheesy computer animated environments, in this case Minbar, are always tough to really love and get excited about, but they serve to open up the Babylon 5 universe to be sure.

Susan "Hot Lips" Ivanova.
As far as our guest list goes, most notable here is the fact the late Tim Choate returns as Zathras and more importantly the much beloved/ maligned character of Jeffrey Sinclair now an ambassador played with always convincing, wooden passion by Michael O’Hare.

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I love maps. I especially love REALLY BIG maps!
Lt. Corwin picks up a distress call from Sector 14, the site of Babylon 4’s disappearance. Oddly, the transmission signal being received by Corwin and conveyed to Ivanova is the voice of one desperate Susan Ivanova. Huh? That’ll freak you out especially if you’re Susan. Garibaldi says it best about Sector 14, “Time doesn’t work right in there.” That's pretty succinct enough.

So Garibaldi launches via starfury to Sector 14 to investigate what the hell is going on, while Sinclair is coming aboard Babylon 5 unannounced. I thought it was interesting here that these two old friends were physically missing each other and essentially not crossing paths at all.

Damn! My eyes were closed can you take another picture?
Back on Minbar, earlier, there was a letter presented to Sinclair with his name on it. On Babylon 5 Delenn receives a similar letter in her quarters. Lennier insists, “it must be done, or the dream will die” referring to a kind of prophecy in motion. Delenn has been here to see it through and she knows, as she always knows more than she lets on, what is about to transpire. Delenn arrives in the War Room and is quite urgent with Sheridan that they must report to the White Star with Marcus and Sinclair. Both have also arrived at the War Room. It’s strange but cool to see both Sheridan and Sinclair in the same episode for the first time.

Time to visit the dentist big guy.
Garibaldi reports from Sector 14 that the temporal field is twice as large. The source is a tachyon energy field transmitting from Epsilon 3 controlled by Draal. He is widening it for a reason. Down on that planet below, enter Zathras. It’s good to see him again, but not those teeth.
Delenn knows they must head to Sector 14. Sheridan is reluctant, but she is acting on prophecy, so off goes the White Star.

Garibaldi continues picking up Ivanova’s voice. “They’re killing us.” Additionally he is receiving a visual. She is calling out in bloodied, battered desperation. She indicates the Captain is dead and the Shadows are coming. They are locked on, a bright light ensues from behind Ivanova and then the signal terminates. This is troubling, good stuff.




Now that's what I call a powerpoint presentation!
Delenn recaps for the War Council, via a visual presentation, long past events never before seen outside of the Grey Council of archival footage from the last Great War. These events also surround that of the White Star. Delenn asks Sheridan, “do you trust me John?” “With my life,” he answers. The footage presented to the team is of an allied base that was destroyed long ago. Here’s the catch, Babylon 4 was essentially stolen and brought into the distant past to aid in the war effort against The Shadows as a replacement base of operations. Without Babylon 4 the war would have been lost. Delenn references Season One’s Babylon Squared and how, then, Commander Sinclair saved Babylon 4’s crew. Delenn informs her friends that The Shadows sought to destroy Babylon 4, and surprisingly the footage indicates the White Star was involved in saving Babylon 4. Yes, the White Star will travel back in time six years, through the enlarged temporal field, to save the fledgling Babylon 4. A stunned Sheridan engages Delenn, the question of “who stole Babylon 4 is the biggest mystery of the last decade. Now you’re telling me, it was me, is me, is going to be me?” It’s not all about you John. Just kidding. That’s a great scene. At the time no one knew where Babylon 4 came from just that it helped win the first Great War explains Delenn. Delenn indicates saving Babylon 4 will save Babylon 5, if not in eight days Ivanova’s desperate transmission will become a reality. I imagine, too, Babylon 5 will be critical to winning the next Great War as it is already serving as a base of operations. Umm, I'll take an aspirin please, make that two.

Marcus begs the question that I found myself asking, “I still don’t understand how taking Babylon 4 will prevent the destruction of Babylon 5.” Good question Marcus my man. If Babylon 4 didn’t exist, The Shadows would never have been driven from Z’Ha’Dum, but rather would have dug in, waited it out, strengthened their forces. It was instrumental in stopping them then. Today, the strength of The Shadows war machine would have been much greater and Babylon 5 would already be destroyed. Good Lord folks, my head is spinning.

Sheridan checks in with Garibaldi who has now witnessed, via the Ivanova transmissions, Babylon 5’s destruction over and over. Time stamp on the message is eight days away. If they don’t save Babylon 4, the end of Babylon 5 will be assured. It was interesting to see the disintegration of Babylon 5 because there is a ship exiting the station’s docking bay just moments before it blows [see picture]. Who could that be? Granted this shouldn't come to pass, but it would have been cool to know who escaped on that ship just moments before the station went BOOM! Sheridan sends Garibaldi back to Babylon 5.

Sinclair turns to Sheridan and tells him, "You're a bastard for taking my job on this show!" Just joking. Sinclair thinks they’ll work well together like “Butch and Sundance…Lucy and Ethel.” Buddy, you’re no Butch and Sundance. I’m sorry but O’Hare just isn’t funny. I mean to say; he doesn’t even deliver funny with that odd little smile of his. Sorry pal, we don’t miss you. Perhaps I'm being hard on him but my head hurts.
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The return of Zathras and some very bad hygiene.
Meanwhile, cargo has arrived at the White Star from Epsilon 3 to aid in their effort. Zathras, too, is part of that cargo. Sinclair directs Zathras not to mention anything that could change the past. Either Tim Choate’s make-up was a bit off or he aged a bit in two years, like any of us, but he just looked a tad different than I remember him.


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Sinclair tells Sheridan he will need a favor. Sheridan ensures Garibaldi is dispatched home to Babylon 5 at the behest of Sinclair. Why? Is he saving Garibaldi’s life? Is he ensuring Garibaldi is there to play his part in this elaborate puzzle? I thought it was interesting at the outset that their paths did not cross. Surely it wasn’t manufactured, but it worked out well for Sinclair.

Sheridan: “Why the secrecy? Didn’t you wanna talk to him?”
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Sinclair: “More than you’ll ever know.” [I thought that was pretty moving]
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There goes Garibaldi & Sinclair, like two ships passing in the night [literally].
Still, those two names, ugh! Why couldn’t Straczynski have gone with Sinclair and Rogers? [Something, anything to get away from another ‘S’ name]. So, Sinclair watches through a window into space as the two ships pass and Garibaldi recedes into the distance. “Goodbye old friend.” Sinclair flashes forward to an image of Babylon 5 being boarded and inevitably disintegrating. These are scenes you’ll recall from Season One’s Babylon Squared. How could we forget? That was a very powerful singular episode indeed within that season. Sinclair assures himself, “No it won’t happen. I won’t let it happen.” And with that the White Star plunges into the temporal rift.

Interestingly, when Garibaldi returns to Babylon 5 Zack unwittingly alerts him with the news that Sinclair was aboard earlier but left with Sheridan. Garibaldi is stunned. “You’re kidding right? Did he leave any kinda message?” Yeah, the message is he wants to save your ass big guy. The message, Mr. Garibaldi, is- LIVE! Sinclair has left a message for Garibaldi, but the vid screen flashes “Password Required.” I love when Garibaldi starts throwing words out like "Fasten-Zip." "Hello old friend" does the trick, yet that was more like Pass words or a Passphrase.
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Special Effects with a VHS Camcorder and 99 cents. Horrible.
White Star scanners pick up Shadows vessels inside the temporal field as well as a little old, highly radioactive fusion bomb. As the Shadows fighters attack, Lennier enlightens us with new information concerning the Vorlon-Minbari hybrid ship that is the White Star. “The White Star is based on Vorlon organic technology. It learns from experience, changes, evolves. The skin of the ship now uses the Vorlon defense system. Most of the energy is reflected away leaving only the physical impact.” As Sheridan puts it, “cool.” Can you imagine that kind of technology? That is ridiculously off the charts cool. By the way, Bill Mumy sure knows how to deliver scientific analysis better than anyone, granted he hasn't had the meatiest of roles. So the Shadows attack craft continues firing upon the White Star with little success. The White Star moves into position on its primary target. Ivanova fires upon the bomb and destroys it. One problem. Each crewmember was given one of those time stabilizers mentioned way back in Babylon Squared to keep everyone ‘stuck’ in time. Unfortunately the impact of the explosion somehow damages Sheridan’s device and he disappears, or if you recall how Kent Broadhurst yelled it back in Babylon Squared, “we’ve become unstuck in time!” I’ll never get that out of my head. Speaking of heads I'll take another aspirin.

Zathras was definitely less intriguing to me this time out and a little more annoying than I found Choate to play him way back in Season One, but I may have been in one of those less forgiving moods. I thought Sinclair’s return was okay, but, well, I’ll leave it at that. Sinclair’s line probably best-conveyed Straczynski’s overarching aim of the show concerning telling a story at all costs. The actors are secondary. “Sheridan knew the risks the same as we did. All of us are expendable. What counts is the mission. He’d want us to continue.” Amen! I think he’s talking about Straczynski there and himself as expendable. Tell that story damn it! Of course, Boxleitner’s not going anywhere. Sinclair takes over the Captain’s chair. That was a little weird to see. Get outta' that chair dude!

We cut to Sheridan [now unstuck in time on Centauri Prime- nice rhyme] being kicked in the gut before an aged, future version of what appears to be Emperor Londo. He looks also to be Sheridan’s executioner as he tells him he will finally put him out of his misery. Sheridan drove away the Shadows, but the remnants of the war have come home to roost on Centauri Prime, a victimized homeworld of unrest. He unveils the chaos, “the legacy of your war” as he peers out across his city of flames from on high. "Your war"! What the hell are you talking about Londo? I think it could clearly rest upon your shoulders if you really wanted to get right down to it. "Your war" my ass pal. Granted, we all know The Shadows were going to instigate a full blown conflict one way or another and Londo just happened to be an instrument or tool in getting to that point.

Meanwhile, Jeffrey “I’m like the arrow that springs from the bow” Sinclair is clearly ready to die as he speaks with Delenn. The White Star lands aboard Babylon 4. It’s a pretty decent effects moment [better than that overexposed shot above]. Zathras is really quite pathetic and no one seems to give two shits about the poor fellow. No one cares about him. It’s sad. He delivers rambling little ‘poor Zathras’ speeches and everyone rolls their eyes like 'oh, that’s just Zathras being Zathras for ya. Who cares about him unless we need him.' Damn! That is cold.

Sinclair [to Delenn]: “Ready?”
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Delenn: “Why do your people always ask if someone is ready right before you’re going to do something massively unwise?”
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Sinclair [with his trademark smirk, smile-grin]: “Tradition.”

TO BE CONTINUED…stay tuned for War Without End Part Two, same Babylon time, same Babylon channel... That would be channel 5 for newcomers. Now where is that aspirin?
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War Without End Part One: B+

Friday, August 8, 2008

Dr. Horrible's Sing-Along Blog

It's not often I keep up with the latest and greatest on television or the net. Granted new doesn't necessarily mean better as Babylon 5 has proven. Still, my latest diversion zeroed in on something sparkling new and exciting over at iTunes for Dr. Horrible's Sing-Along Blog.



It's the latest download-only film series [not unlike finding Sanctuary]. Comprised of Acts 1,2 & 3 [45 minutes] it's a delicious, original short film starring some of television's finest. I was completely engaged by the simple, but refreshing concept energized throughout by musical numbers. It's not Moulin Rouge! but it's damn good fun. The songs are exceptional as they map the course of a would-be super-villian dying to join The Evil League Of Evil, the love of his life and his arch-nemesis Captain Hammer [the hammer isn't for his fist] in this terrific tale.
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First, it's directed by Joss Whedon of Firefly and Buffy The Vampire Slayer fame of course. It's also written by Joss with the help of, apparently, talented family Zack Whedon, Jed Whedon and Maurissa Tancharoen. The musical numbers are cleverly dished out by Joss and Jed Whedon and I've provided two samples for you to give it a look.


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The cast provides some splendid moments and the always amazing Neil Patrick Harris steals the show as Dr. Horrible. Nathan Fillion is always a favorite from his days on Firefly and he hams it up as Captain "I love myself" Hammer. Felicia Day is adorable as Penny.
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The ending isn't quite what you'd expect and that's what I love about Joss Whedon. Who gets the girl? You'll see. It's funny how some of the very best in science-fiction or television in general has to be relegated to the obscurity. The mainstream doesn't know what it's missing. Still, with the broad appeal of internet access nowadays perhaps Dr. Horrible is in very good company. Click here for more on Dr. Horrible's Sing-Along Blog.
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Dr. Horrible's Sing-Along Blog: B+

Wednesday, August 6, 2008

B5 S3 Ep15: Interludes And Examinations

This photo hands down captures one of the highlights of Babylon 5 Season Three for me and perhaps the series as a whole. The verbal battle between these two powerful figures has never been more exciting. Holy Encounter Suit!

The introduction is perfect featuring narration by Susan Ivanova voiced over ongoing operations in the War Room. August 3rd, 2260. Personal diary. I was wondering how the hell Morden managed to keep slipping by screening and security to set even a foot on Babylon 5, but Ivanova's narration lends some understanding to it. Morden has his share of moles within security personnel who are clearly in his back pocket. Background checks are allowing for lapses in obtaining quality people and riff raff like Morden are gaining entry.

Anyway, Ivanova's serious, matter-of-fact tone reminded me of classic Original Series Star Trek when Captain Kirk, played by William Shatner, voiced over the opening minutes of an episode in the same style. Ivanova brings us up to speed on the Shadows maneuvering. They have been attacking in the open, on the outer rim, for ten days.

Adira [one of the hottest Centauri bald chicks to grace the program in Season One] is returning and Londo is over the moon preparing for her arrival.

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By God, he is one Dirty Rotten Scoundrel.
The devil himself, the evil Morden [always played deliciously by Ed Wasser], is back and more treacherous than ever. When we first see Mr. Morden he is meeting with some kind of informant and the snitch is left for dead in his wake. He’s already up to no good before the credits even roll. Would we want it any other way? Oh and those nasty Shadow spiders with their crickety sound effects are hanging all around him unseen but protective at all times. It’s always a pleasure to see Wasser in his recurring role for Babylon 5. Welcome to Babylon 5, Season Three, Episode 15, Interludes And Examinations [or The Kosh & Sheridan Showdown] and hands down one of my favorite episodes of the season.

Folks! I have had an affection/ love affair for this space pilot-looking, gas mask-breathing, apparatus-affixed alien creature right along throughout the series. This race has always been milling about in the background whether it be in the bars or coming on board the station. Glimpses of the race have held me enraptured and desiring to know more teasing me with just a simple moment here and there. It is definitely one of the coolest alien designs of any science fiction series out there. Maybe it’s because the thing reminds of an extra from the Cantina scenes on Tatooine from Star Wars. It definitely has that look for me. It even talks all weird with its electronica-laced vocals. I imagined it would have a more robust-sounding voice. Well, finally, Straczynski brings his [and his team’s] creation to the fore and I’m thankful for it because there was no indication that would necessarily happen. This is Ambassador Shilaq [the spelling of which I am uncertain] and Sheridan is attempting to bring her/ it on board the newly forged alliance. Still, they won’t budge since they haven't been attacked and there's nothing to indicate that they will be attacked. Sheridan knows better. I like when the ambassador asks Sheridan to show her some power. Show me The Power! This is great.

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Sheridan [referring to The Shadows]: "They are going to come for you sooner or later."
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Alien pilot [in strange electronic girl voice]: "You do not know that. The enemy is powerful. Show us you have equal power then we will consider. If not we will stay quiet." Ah yes, pacifists awaiting the slaughter.

Elsewhere, Dr. Franklin, who admitted "I think I have a problem" during the rebirth ceremony in Episode Eleven, Ceremonies Of Light And Dark, now knows he definitely has a problem. [Isn't it funny how many episodes at this point inform past episodes and future episodes? It's enough to make your head spin.] Actually, it takes Franklin a little time to come to that realization but he's definitely a stark ravin' lunatic of a mess thanks to all the stim use. Here’s a good luck at his frayed temper and once again the many wonderful moments Straczynski writes for his actors.



The up close and personal exchanges are absolutely a thrill every time for me! Here’s another between Londo and Morden. Do you remember when Jerry Seinfeld would greet Newman in the show Seinfeld? Don't you just want to say “Hellllo Morden.” Vir always comes closest to doing it. Like Season Two, Episode 12, Acts of Sacrifice, and a whole host of others, the character exchanges make for some of the most riveting in the Babylon 5 cannon. The red lighting really highlights this sinister moment between two very strong-willed, agenda-driven personalities. It’s like they're meeting in Hell. Londo should never have made that deal with the devil.



Delenn visits Sheridan in the War Room. I feel for Sheridan. His frustration in attempting to unite the races to fight the Shadows is slow and at times feels futile, but he's getting there. It's a great lesson that things don't always come easy. They need to move quicker and he knows it. There are so many great scenes I damn near wanted to record this whole episode. Delenn suggests a show of force by making a victory happen against The Shadows to illustrate for the alien groups 'hope' that fighting back is indeed a viable solution to this growing threat.

Meanwhile Garibaldi meets with the beautiful Dr. Lillian Hobbs to try and obtain information on Dr. Franklin’s blood work. Garibaldi's is often willing to break with protocol or ethics to get to the truth. Dr. Franklin witnesses the exchange. Elsewhere, Morden makes a point of bumping into a frantic and busy Vir who is readying for Adira’s arrival. Vir is classic.

Morden: “Anything I can do to help?”
Vir: “Um, short of dying, no.”

Getting nowhere with Vir he makes a point of obtaining any information he can from the vendor Vir had just met with in order to weave his tangled web. He is certainly up to no good and appears to be planning to upset the apple cart as only Morden can.

Franklin comes clean about his addiction to Garibaldi just shy of Garibaldi finding out about it himself. Garibaldi inevitably finds the invasion of privacy concerning his friend uncomfortable and refrains. Babylon 5 just keeps heaping on pile upon pile of drama and tension and it is palpable. Straczynski never seems to waste a moment of his airtime with fluff of any kind.

Now, the next sequence is amazing. This episode contains quite possibly one of the single most powerful moments in the series, at least for me. This is that sequence and it is gut wrenchingly powerful made all the more so by the final minutes of this installment and the fate of Kosh.




You feel so much for Sheridan’s position and what he is trying to achieve. Still, astoundingly, there is just as much emotion and feeling that comes out of that encounter suit thanks to Ardwight Chamberlain. His ability to make that happen is worth mentioning. Sheridan is clearly feeling the strain placed upon him by The Shadows and like a desperate animal cornered he really lashes out to get some movement in the war against them. Sheridan calls Kosh on the carpet big time! Holy Toledo! The movements, the close ups are intimately perfect. It is an outstanding verbal and mental joust between two powerful allies with competing strategies. Fascinating stuff! It is one of the most gripping sequences in all of Season Three [maybe the entire series, so far] as Kosh goes all Darth Vader on Sheridan’s ass at the end. The Vorlons are critical in this war and appear omniscient on so many levels with tremendous power so why are they so damn neutral? They happily use humans as pawns and manipulate strategy but reluctantly join the fold. It's interesting. Still, I like Kosh.

Not to mention, I absolutely love the writing in this section and the pace and speed of the verbal match. The sharp barbs and quick retorts by Sheridan juxtaposed with the commanding simplicity of Kosh is simply a marvel. I had such empathy for both players here. I was completely and utterly wiped out watching it unfold. I was like “yeah, you tell him Sheridan.” “Good point Kosh.” “That’s right Sheridan.” “That away Kosh.” “Don’t take that Sheridan.” “Unacceptable behavior Sheridan.” “You let him know who's boss Kosh.” “Okay, maybe you have a point there Sheridan.” Good Lord. Whew!

Classic exchange:
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Sheridan: "Don't turn your back on me. Don't you even try to walk away from me. Just who the hell do you think you are?...For three years now you've been pulling everyone's strings getting us to do all the work and you haven't done a damn thing but stand there and look cryptic! Well, it's about time you started pulling your own wait around here. I understand you have a saying-'understanding is a three edged sword'. Well, we've got a saying too-'put your money where your mouth is!'" [hysterical!]
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Kosh: "Impudent."
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Sheridan: "You said you wanted to teach me to fight legends, well you're a legend too, and I am not going away until you agree."
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Kosh: "Incorrect. Leave now." [Vorlon shock applied]
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Sheridan: "No."
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Kosh: "Disobedient." [You see. It's like humans are the children of these gods.]
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Sheridan: "Up yours....unless your people get up off their encounter-suited butts and do something I've got nothing to lose. Hell, my own government wants to kill me and if we lose this war I'm just as dead."

Um, he kinda, like, saved your ass in Season Two, Episode 22, The Fall Of Night. Easy does it there big guy, how soon we forget. Seriously, it must be trying to move an enigma like Kosh to direct action.

So in the end Kosh relents and dispatches the Vorlon forces to wreak havoc on The Shadows. The attack is potent and easily as forceful as their Shadows counterpart. Caught unawares, The Shadows get a little taste of the Vorlon flyswatters. Impressive. It is reported to the War Room that the Vorlons are winning. Finally, there is something to celebrate at last.

Meanwhile, Londo is choked with emotion eager with anticipation to reunite with the one woman that he has truly loved. I think Adira kind of does it for him. Unfortunately, when we finally see Adira we see her in a body bag. I was so looking forward to her arrival myself in the hopes of seeing the same actress return. Sadly for me, and for Londo, that was not to be. Londo stands before her covered body literally a broken man. His heartache points to the work of Lord Refa as her potential assassin. I was immediately thinking Morden myself. Of course we’re not certain, but I believe it was indeed Morden. Londo always pulls us back in by proving to us he can care, he can love and that he does indeed have heart.

Morden learns of the Vorlon attack. As a result, various races are lining up behind Sheridan in support of his plan as he had hoped. Sheridan plans to thank Kosh only he won’t be able to do so. Morden, complete with breathing mask and his spidery companions, gets to Kosh first in the alien sector. His associates are there to assasinate him for his use of power against The Shadows. As he is brutally destroyed, Kosh, in essence, channels himself before Sheridan in the form of Sheridan’s father. The loving image of his father is someone Sheridan identifies with and the words that come from the mouth of David Sheridan [played touchingly by Rance Howard] are clearly the words of Kosh in his final moments. He reassures him he did the right thing and that it was indeed time for him to do things his way. His demise is not his fault. “As long as you’re here, I’ll always be here” are his final words to Sheridan. It is yet another moving moment that brings some closure to the earlier conflict between the two characters before his life is extinguished. Is there something to The Shadows and The Vorlons' relationship? It's as if The Vorlons are intentionally staying out of the conflict for now for a reason. When Kosh finally does make a move utilizing the strength of the Vorlons, Morden and his associates quickly move specifically against Kosh to make some kind of statement. It is very interesting indeed.

Kosh won’t be able to save him on Z’Ha’Dum and he knew that during their argument, because he knew if he relented and gave Sheridan what he needed he would most certainly be killed. So, why did he know that? Kosh wasn’t withholding friendship [if you want to call his ambiguous support such a thing] from Sheridan he simply knew he wouldn’t be there to help him because he would be dead. It is a powerful scene as Kosh turns to his attackers expecting their inevitable arrival following what he had ordered against The Shadows. Hats off again to Chamberlain for his performance. He does wonders in that clunky suit managing to eek out every ounce of emotion from the singular opening and closing of that green eye. Director Jesus Trevino also deserves a tip of the cap as well for getting those cameras right in there on the faces of these amazing characters [Morden, Kosh & Sheridan].
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Random shot of Susan "Hot Lips" Ivanova because why not.
Sheridan is aware of the fate of Kosh and now understands what Kosh meant, just as Kosh had indicated during their fight that he did not understand the greater implications of the move by The Vorlons. Delenn assures Sheridan The Vorlons will send another replacement to Babylon 5. But I’m not sure if anyone can replace him. As mysterious a figure as Kosh was I was really beginning to enjoy the big lug and I kind of related to him and his modus operandi. I have to agree with Sheridan who makes a great observation. You never envisioned Kosh experiencing fear, but in this episode he definitely exhibited signs of that emotion as he lashed out at Sheridan. He was clearly fearful of dying. In hindsight Sheridan sees him differently, as a mortal being seeking self-preservation too.

Adira was indeed poisoned. Here's ANOTHER terrific sequence between Londo and Morden as he runs right back to his loving arms. NO!



I felt like Morden played Londo like a fiddle by implying Refa was trying to even the score and Adira was that casualty. Morden is a master of deception creating war and chaos at every turn and now he clearly intends to bring it upon the Centauri. Personally I expected Londo to see through the rouge. It seemed like a shameless ploy, but once again Londo has that focused look of determination and it’s hard for him to shake that when he gets something in that head of his. Could Londo’s reunion with Morden be one of those five opportunities suggested earlier that he avoid by Lady Morella in Point Of No Return. The only thing I was uncertain about was whether or not Londo fell for Morden’s shtick completely. It would appear he did unless he is becoming a really good actor [not the actor, but the character]. It’s a complex sequence. Of course Londo is more than willing to use Morden just as Morden will use players as means to achieve his own ends. But when Morden is more than happy to selfishly put forth the needs of the Centauri at the cost of anything and everything else I’m thinking the jig is up.

Dr. Franklin meets with Sheridan to resign due to his all-consuming drug habit and his justifiable fear that he could eventually kill someone. Holding his license to practice medicine, he leaves his position as Chief of Staff of Medlab on a handshake.

*
The head of Kosh’s encounter suit is battered and sits before Sheridan, Garibaldi and Delenn before the remains of his suit are placed aboard his ship and sent back into space. It’s a moving sequence to say goodbye to the ambassador. The ship will take his remnants into space “to perform its last duty in memory of Kosh,” says Delenn. Hmmmm. She knows an awful lot of information.

I definitely tend to favor the more dramatic episodes heavy in dialogue and between characters. I love the battle of wills or the interludes and examinations most, it makes for engrossing viewing.

Interludes And Examinations: A-

Saturday, August 2, 2008

I Am Spock

So as you know I was reading I Am Spock by Leonard Nimoy of Star Trek acclaim. What a terrific read. I really enjoyed it immensely.

Chapter One: Human Versus Vulcan Or Of Luck And Probability: Nimoy essentially repudiates and attempts vindication from his 1975 book I Am Not Spock by discussing how that title came to pass. Nimoy writes with a load of humor and Nimoy and Spock have many conversations throughout the book.

Chapter Two: Conception And Gestation: Nimoy recalls his earliest film influence, The Hunchback Of Notre Dame, while growing up in Boston's West End as a Jewish boy in a mostly Italian neighborhood. He reflects back at his first big break in Kid Monk Baroni. The chapter deepens with his introduction to Gene Roddenberry and his role as Spock. The details on the creation of his iconic character are really cultivated here with discussion of the first pilot, the second pilot a year later and meeting one Mr. Bill Shatner.

Chapter Three: Birth Of A Vulcan: Nimoy really highlights what informed the formation of his character from specific directors to DeForest Kelley and Grace Lee Whitney as well as his own self-realizations about Spock. He discusses the embryonic stages of coining the word "Fascinating." He points to the The Corbomite Maneuver as a defining moment in the birth of the Spock we know and love. He also talks extensively on The Naked Time and its impact on the character's good fortunes and continued development. He really had to battle the writer over how Spock was portrayed in that episode and is thankful the writer relented. We also get more on the prankster-like shenanigans of Shatner.

Chapter Four: Vulcanalia or The Vulcan Grows Up: Nimoy really gets to the heart of the Vulcan Neck Pinch, the Mind Meld and his famous Vulcan hand gesture to the words of "Live Long and Prosper." He offers great insights into Devil In The Dark [Bill Shatner's father passed away during filming], This Side Of Paradise and Amok Time. It's especially funny to hear him talk about Jill Ireland and her over-protective husband Charles Bronson. He gives a huge nod to Dorothy Fontana who helped define the formation of a Vulcan culture. Oh and there is T'Pau.

Chapter Five: Spockamania Or It's Pear Blossom Time In Medford: Nimoy spends time reflecting on the growing hysteria by fans surrounding the rising popularity of his character. One incident in particular with a female fan is really quite chilling.

Chapter Six: The Star Trek Family: Nimoy reminisces on his studio family with some truly amusing anecdotes concerning paper and pens between he and studio executive Ed Perlstein. Producer Bob Justman gets in on the antics with some candid letters shared by Nimoy. There's also some great insight into his relationship with Shatner over the brotherly-like competition between themselves over their characters. He also lends some tremendously touching back-story regarding his relationship with Gene Roddenberry himself as well as writer Gene Coon.

Chapter Seven: Premature Burial: This was a fascinating chapter as Nimoy digs into his displeasure with how Season Three unfolded. Roddenberry was unhappy with NBC and how the show was being handled and left essentially acting as Executive Producer and having little input. All sorts of primary participants had left the show leaving veteran Bob Justman to be passed over for new producer Fred Freiberger. Sadly Freiberger completely mishandled the characters of the show essentially nullifying their essential differences. Nimoy protested vehemently in protecting the character of Spock but was often discounted. He points only to Fontana's guest appearance in writing The Enterprise Incident as one of the season's true highlights. Nimoy was ready to go to war but the show was prematurely cancelled. Freiberger was someone Nimoy felt would do the show justice but their relationship quickly dissolved as he learned his vision for the show was quite different from that established in the original two seasons. Interesting stuff.

Chapter Eight: From Five-Year Mission To Mission: Impossible: This is a pretty short chapter and there is a heavy-heart to it. Nimoy is clearly solemn over the death of Star Trek as a series and his inability to play the rich character that was Spock. He speaks of those final days briefly. He landed a regular spot on the TV Show Mission: Impossible, yet it wasn't the same and he opted out of a lengthy contract after two seasons. He filled a void left by Martin Landau and Barbara Bain whom left and eventually did Space:1999 years later. There's some great insights into the Hollywood game here as well.

Chapter Nine: Identity Crisis: Nimoy examines his stint in theatre for Fiddler On The Roof. Meanwhile, Vulcan collectability crops up across the planet as Star Trek's popularity is on the rise. Nimoy encounters the inescapable resurgence of affection for his alter ego Spock. Further, some thoughts on the first Star Trek Convention [1972], the animated series and a near reboot of Star Trek dubbed Star Trek: Phase II.

Chapter Ten: Thank You, George Lucas: Nimoy battles for royalties from Paramount [who purchased the Star Trek rights from Desilu] for unpaid use of his likeness. At the same time, attempts are made by Paramount to lure Nimoy in for Star Trek: The Motion Picture. There is a terrific segment where Jeffrey Katzenberg, Robert Wise and Gene Roddenberry meet with Nimoy. Nimoy is such a strong, sensible, ethical soul. His intentions are always so grounded in right and wrong; that is what I loved most about him. Nimoy really explores the behind-the-scenes details of how the film process was handled. He explains how the chemistry of Roddenberry's terrific ensemble cast was underutilized and overshadowed in favor of a special effects extravaganza. So I would imagine, in some ways, it was thank you [good and bad] to George Lucas, yet the problems with Star Trek: The Motion Picture were certainly no fault of the aforementioned director.

Chapter Eleven: Movie Madness Or If It's Tuesday This Must Be Beijing: Nimoy dreams of Vincent Van Gogh and the creation of his own one man road show theatre as Vincent's brother. Star Trek II: The Wrath of Khan and other film opportunities fill his schedule. There is a terrific piece covering his work in A Woman Called Golda with Ingrid Bergman. Oddly enough the director had no interest in casting Nimoy as her estranged husband. Yet, Nimoy was nominated as Best Supporting Actor. He never revisits the conflict with the director and I wish he had. At the very least the director owed him an apology. I didn't get much closure from hearing about that story, granted Nimoy may not have either. Nimoy also recollects his time spent in Beijing, China inside the culture for the filming of Marco Polo. He really sheds light on the schism between hard-line communism and the glasnost of Western influence in China from a visitor's standpoint. It really is fascinating to see him discuss the ying yang of that amazing country. Interestingly, Nimoy was quite anonymous in China as most there had never seen or been exposed to Star Trek. Back in America, fans were none to keen to hear about the potential rumor of death for one of their favorite Vulcans as word spread of that possibility for Star Trek II: The Wrath Of Khan all the way to Beijing.

Chapter Twelve: Remember: Nimoy offers loads of insight into the inner workings of Star Trek II: The Wrath Of Khan and the reasons behind its success. Most poignant is his in depth analysis of Spock's demise and how much it affected him and the others during filming. This is a deeply moving character assessment.

Chapter Thirteen: Rebirth Or What I Really Want To Do Is Direct: Nimoy described everything you wanted to know about portraying the death of our favorite vulcan in the previous chapter. Here, Nimoy expresses his feelings in actually seeing his performance unfold on the screen. His experience witnessing Spock's death and being an accomplice in bringing his death to fruition is emotional indeed. Based on the success of Star Trek II: The Wrath Of Khan Nimoy knew there would be another film to follow. How would he be involved? Nimoy describes his great desire to direct and his journey in making it a reality including a meeting with Michael Eisner. It was never a sure thing and Nimoy explains how the company, Eisner and his fellow cast members felt about his role as director, his motivations and his credentials. I Am Not Spock was coming back to haunt him again. The casting, the planning, the overall drain on the director of a major film are really fleshed out in detail. Nimoy applies the Mission: Impossible strategy plus everything else you need to know about Star Trek III: The Search For Spock. Oh and there's Bill Shatner, of course.

Chapter Fourteen: I Spock Or "The Final Plain" On The Streets Of San Francisco: Nimoy plunges headlong into his experiences on his next directorial feat, Star Trek IV: The Voyage Home. It's another unearthing of his talent now more confident and more relaxed than ever as we go behind the scenes with the director. We also learn of actor Eddie Murphy's absolute love of Star Trek [who knew] and his desire to be in a Star Trek film. [God, Eddie Murphy was brilliant ages ago in SNL and Trading Places, but man has he lost it! What a shame.] Nimoy delves into how the film's whole whale concept became a reality and how the team designed the whales for the film. Eddie Murphy is thankfully turned down for a role, but casting commences. Nimoy describes a number of scenes that were shot in San Francisco. One scene sounds special that never came to pass that would have featured George Takei.

Chapter Fifteen: Three Men And A Good Mother: Out of the fire and into the frying pan as Nimoy scores another directorial project in the form of Three Men And A Baby based upon the French film. He offers loads of information on the film if you're a fan of it. Did you know Nimoy's parents were Russian immigrants? Nimoy visits their birthplace and shares that experience with his father prior to his passing. Nimoy tackles the drama genre in The Good Mother [I remember enjoying this film] with Diane Keaton and Liam Neeson and handles some very touchy material quite delicately. His efforts to pull Jason Robards on board are touched upon. The fallout was yet to come.

Chapter Sixteen: The Final Frontier- And Beyond: Nimoy shares his experience working with Bill Shatner on Shatner's directorial effort in Star Trek V: The Final Frontier. At the same time, Nimoy also comes crashing down to Earth with his thoughts on a very mixed reaction to The Good Mother by audience and critics alike. He shares his candid memories concerning Shatner's handling of the Star Trek film project and especially the dreadful story idea. Later, Nimoy meets Holocaust survivor Mel Mermelstein and is so moved by him he brings the film Never Forget [about Mel] to fruition. He speaks of his courageous story.

Chapter Seventeen: Star Trek VI And "Unification": Nimoy is chosen to initiate the creative fire behind Star Trek VI: The Undiscovered Country. The studio interfered with that project. His reflections on Star Trek: The Next Generation were fascinating. He eats a bit of crow to say the least. He speaks of his involvement on a particular episode, Unification, and how it felt very much like a bridge between the two shows and for fans who were in isolated camps of TOS [The Original Series] and TNG at the time. He reflects very satisfyingly on how it felt as though he aided in bringing fans, new and old, together.

Chapter Eighteen: Live Long And Prosper: Nimoy is offered a role in Star Trek VII: Generations. He passes. His thoughts and his final reflections on being forever linked to Spock.

I Am Spock: A-

It's a fascinating read that left me only wishing I had a chance to read more. I would love to meet Nimoy. He's a terrific fellow. The book is almost perfect if only he had talked a bit about his narrating involvement in that television show In Search Of, then it would have been an A.

Mira Furlan: Down But Not Out Exactly

Hey friends. MIA again. Work and life has a way of doing that to us, but that do it for awhile and now I can get back on track with Babylon 5.

A brief mention concerning Lost was issued roughly a week ago [maybe it was during the convention] and I meant to report it then. Word has it the back story for the now deceased character [shot and killed] Danielle Rousseau, played by Mira Furlan, will be explored in Lost, Season Five. That’s great news for fans of Furlan's work. We'll now get a chance to see more on what made the Rousseau character tick. I’m also excited to know perhaps how she landed on that beautiful God-forsaken island. Also, when the creators behind Lost do a back story, they do it right and she should have the floor to shine as an actress in that given episode. So, she may be down [and more than a little out, ..uhhh make that dead], but she’s not out of television completely yet.

Friday, August 1, 2008

Stargate SG-1: The Illustrated Companion



Most people, outside of science fiction fans like ourselves, would hardly qualify the Stargate SG-1 The Illustrated Companion books as books or at least proper reading. My wife generally scoffs at me and qualifies it as “drivel.” Of course reading something from the book of the month club clearly qualifies as more substantive reading [but I don’t see it]. I subscribe to my gram’s philosophy about reading. “READ, it doesn’t matter what you read, as long as you're reading.” She should know she reads daily and she’s like Harry Truman at 90. Self-read, self-educated and just too damn smart for her own good. She's a doll.

For me, the companion books are a blast to read. I love getting the behind the scenes insights to one of my favorite shows. Titan Books is the publisher behind these fine installments. It’s the same company who issues the bi-monthly magazines for Stargate SG-1 Atlantis, Star Trek, Lost, Smallville, Heroes, Torchwood and a whole host of others. The companion guides offer delicious straightforward analysis.


The books aren't perfect and there are a few minor shortcomings, especially Seasons 1-8 where four books shared two seasons each. Two pages were dedicated to each episode and sometimes the insights were few and far between considering black & white photos also populate the pages. For example, I had really hoped to see something about Dan Castellaneta’s performance discussed for the Citizen Joe entry. There was nothing. I’m not a fan of The Simpsons, but he's the voice behind Homer and the episode in which he appears on Stargate is splendid. The inside joke being, of course, that Richard Dean Anderson’s character Colonel Jack O’Neill is a huge fanboy of the The Simpsons. So when Castellaneta appeared on the show it was a win win for the Stargate cast and crew and for fans that were paying attention. In the companion book, there isn’t the slightest bit of background info mentioned about this episode’s production. It's a minor gripe but some of the episodes really skim the surface. Having said that, they're a breeze to read and good fun.

The release of Stargate SG-1: The Illustrated Companion Season 9 and the latest Season 10 are nice improvements over the previous editions. We finally have two books solely dedicated to each entire season. The books are the same thickness as previous works except each episode is granted 4 pages rather than two. Therein lies the difference. With that space there are two illustrations per episode rather than the previous one. All editions include actor interviews, make-up, visual effects, stunts and the last two installments include color photos and a terrific feature called In Depth further analyzing one of the season’s episodes at length. Season 9 looks closely at Ripple Effect [the twinning episode with 17 Amanda Tappings- okay a fanboy’s dream and finally a reason for cloning].

Director Peter DeLuise reflects on the show’s credentials with Ben Browder on page 91 of Season 9 and makes an excellent point about Browder’s talent in filling Richard Dean Anderson’s shoes. It’s one many will take for granted because he is so good and he has to be for the show to succeed for the final two years.

Season 10 is much like Season 9 in scope and depth. There is a splendid 8 page section, In Depth: 200 covering, you guessed it, the 200th episode of the show. It's also an amazing episode for many reasons which are looked at up close here including the nod to shows like Thunderbirds. There is a gobsmacking 32 page full color section to fawn over along with all of the amazing interviews and candid black and white shots.

I'm a little curious as to why the books moved away from Thomasina Gibson of the first eight seasons opting instead for Sharon Gosling for Season 9 and Gosling with Natalie Barnes for Season 10. All the books are certainly commendable.

Be sure to check out the companion books if you haven’t already. These books are like comfort food to us fans and a lot less risky than rolling the dice with those unauthorized publications. The Illustrated Companion books are solid in their details and reading them is consistently a pleasure.
*
Stargate SG-1 The Illustrated Companion: B+

The Real Cheyenne Mountain

I just thought I'd put this up quick. It was in Time Magazine. It takes a look at the real Cheyenne Mountain and what the people do there. For those of us who like a little fact behind the fiction, science fiction that is, then this might be right up your alley. It's nice to see what the real folks have to do behind the scenes for the site that became the backdrop to one of our favorite sci-fi shows, Stargate SG-1. Click on the photo and you should be able to give it a read.