B5 S2 Ep 13-15: Hunter Prey, There All The Honor Lies & And Now For A Word

Johnny Storm, Susan Storm, Reed Richards and Ben Grimm. The Fantastic 4?
I'm not really sure why folks would take pleasure in ripping Babylon 5 as "a knockoff of Star Trek: Deep Space Nine." I can only assume there was some penis-envy there. I mean, it's like comparing apples to oranges. Dare I even say Star Trek fans [and I am a fan] were jealous. Okay, sure the stories center upon space stations but that's about where comparisons should end. This is a uniquely developed series and one that resides very much in its own orbit separate and apart from the aforementioned Star Trek universe. Anyone deriding Babylon 5 has certainly not watched it past the first few episodes or given it a chance at all. You need to be giving it a look.

By the way, the very sight of Jeff [“Kenickie”] Conaway as Zack Allan is difficult to reconcile within the genre of science fiction. Of all the actors, how did he get cast as Garibaldi's backup?

Thanks, but I was really hoping for a Captain Kirk doll. The B5 store selection is sorely lacking.

So here we are Episode 13-15 of Babylon 5 Season 2: The Coming Of Shadows. Hunter, Prey [Episode 13] is solid in building the continued political backdrop and intrigue to Babylon 5. A woman arrives on the station sent by General Hague to notify Sheridan he’s in danger. A man named Dr. Everett Jacobs is hiding on the station from Earth Special Intelligence. He is, shall we say, a ‘loose end’ in the midst of attempting to escape the long arm of sitting Earth President Clark. Jacobs has information that could finger him as an accomplice to former President Santiago’s death. Clark faked ill and left Santiago's side one day prior to his explosive murder. Jacobs was Clark’s personal physician and let’s just say he knows a little too much. Conveniently Clark assumed the Presidency. Sheridan, while appearing to assist Earth Special Intelligence, must find Jacobs before they do. Jacobs is relocated to Bay 13 where a Vorlon ship is docked for the mysterious Ambassador Kosh.

The Kosh subplot is the most intriguing, as we know little about him/it. We learn a couple of things in this entry. The Ambassador’s Vorlon ship is alive. Its skin moves. We see the appearance of what might be Vorlon symbols/script on the side of the squid-like vessel. The code/living craft appears to be giving directives to Kosh as he nods. It looks like Straczynski predates Moya of Farscape. The slick lime-green designed ship first appears on B5 entry in Season 1's Signs And Portents [Did George Lucas take note for Star Wars in developing a ship for Count Dooku complete with expanding flair-like umbrella design?]. Kosh clearly speaks in riddles and poetic allusion seemingly offering more questions than answers or at least information that isn't quite as revealing as it might be in due time. His mysterious nature keeps things interesting. While it would appear Kosh double-talks and influences the mind of Sheridan, the commander is bound and determined to learn more about the ambassador.

*

Classic exchange:
Sheridan: “What do you want?” [of course, Morden asked that very question as envoy to the Shadows in Season 1's Signs And Portents]
Kosh: “Never ask that question.”
Sheridan: “So what’ll it be ambassador?”
Kosh: “I will teach you.”
Sheridan: “About yourself?”
Kosh: “About you until you are ready.”
Sheridan: “For what?”
Kosh: “To fight legends.”

Yup. Head-scratching, thought-provoking Kosh dialogue that is simply brilliant.

There All The Honor Lies [Episode 14] delves into the Minbari culture directly through an attempt at framing Sheridan by one of their own. Sheridan is attacked and kills a Minbari in self-defense with a PPG [gun]. Julie Caitlin Brown [formerly Na’Toth] returns sans Narn make-up as Sheridan’s counsel Guinevere Corey [the actress is simply wasted in this new role- a shame]. Delenn calls it a “shocking incident” and given the difficult relations between the Earthers and the Minbari [compliments of the Earth-Minbari War] decides representing her own people via her own investigation, with Lennier, would be in the best interests of the Minbari. Garibaldi conducts his own separately, but has difficulty completing it with the Minbari one step ahead of his every move. The subject of honor [or more importantly 'saving face'] is at the heart of Minbari culture, but lying to achieve it doesn’t appear to enter into their equation or be a problem [remember Lennier lied for Londo to Sinclair way back in Season 1's The Quality Of Mercy]. So, in other words, we’re keeping up appearances then. Nice. Actually, sounds alot like Earthers.

Classic exchange:
Sheridan: “Find that Minbari witness I mentioned in my report. He will back me up. I am absolutely sure.”
Garibadi: “Alright. Description?”
Sheridan: “Bald with a bone on his head!”
Garibaldi: “We’re gonna’ need a real big lineup.”

Meanwhile, Sheridan ‘Starkiller’ [as he’s been dubbed by the Minbari] defends his honor and Kosh begins the education of Sheridan. He takes him to the bowels of the Down Below in B5 where he witnesses what Kosh dubs “one moment of perfect beauty.” The Minbari enlighten us further on the title they have bestowed upon Sheridan by referencing the Black Star event of the Earth-Minbari War [I'd like to see that].

Stephen Furst as Vir Cotto really gets to shine in this one. What a fine turn as Londo’s loyal assistant & foil. Isn't there a bit of Vir in us all?

And Now For A Word brings ISN News on board B5 for a full 36 hour expose. The setup is good for learning more and establishing elements concerning the Minbari, Narn and Centauri or even more specifically about aspects of our favorite characters, but it doesn't succeed completely in my opinion. ISN’s arrival coincides with the Narn-Centauri conflict heating up in B5 airspace. Central to the story, is whether or not B5 is still a necessary or viable station worthy of funding now that the Earth-Minbari War has long been concluded.

This G’Kar segment sheds light on Narn servitude under the Centauri occupation for the once peaceful Narn. Katsulas knows how to deliver genuine emotion that brings all that latex and make-up to life. G-Kar was also an adorable “pouchling” don'tchya know!

It is troubling to see just how convenient it appears to be for Londo to reshape history and current events to suit his political agenda as well as what is in the best interests of the Centauri Empire despite being nothing more than a pack of lies. It's as frustrating as watching current events. I keep trying to understand Londo as human, but it helps to remember this is very much a Centauri, with a very different political upbringing. I mean, heck, the guy has 6 penis-like appendages! It's possible he has a lot of balls to boot!

*

"I told you boys to ease up on the steroid injections!"

The final third of this episode is the most climatic and gripping. Sheridan has apprehended Centauri and Narn for the skirmishes they've brought upon B5 airspace. Londo has summoned a Centauri Cruiser to enforce a blockade of B5 until all Centauri are released. Londo is prepared to utilize deadly force upon B5 itself. Sheridan sends out a transport ship to call Londo’s bluff. It goes swimmingly until another jumppoint opens to allow for the arrival of a Narn Cruiser. Face to face, B5 witnesses the Mexican standoff turn violent. The firefight destroys the Centauri warship and the Narn is so damaged it explodes.

So the question is put: is B5 worth it? All agree for different reasons, except for G’Kar who is frustrated by the inaction of all parties concerning what he perceives to be the ‘right thing’ to do.

Interesting facts:

The alien sector of B5 allows for atmospheric change for 14 different species including the Vorlons. Three expeditions into Vorlon space have never returned. The species, including Ambassador Kosh, remains a mystery.

Sheridan from And Now For A Word: “The job of Babylon 5 is not to enforce the peace. It’s to create the peace.”

*

Hunter, Prey: C+

There All The Honor Lies: C+

And Now For A Word: C+
*

I'd say I thought these episodes averaged a C+. Still, there are some major high points!

B5 S2 Ep 12: Acts Of Sacrifice

Babylon 5: Acts Of Sacrifice serves up another humdinger of an episode. I had to dedicate one entry to it. In fact the more detailed each episode becomes with new information combined with back story the more I get the feeling this may happen. I ended up watching this one twice.

This is such a character study especially for G’Kar and Londo Mollari. This is pure unadulterated sci-fi drama of the highest caliber. Special effects are at kept to a minimum apart from a gripping opening sequence. This is strictly a vehicle for the actors and it really allows Boxleitner, Furlan, Doyle, Christian and especially Katsulas and Jurasik a chance to shine. It builds upon these players with powerful performances. Season 2 has Katsulas and Jurasik really digging in. Revelations, The Coming Of Shadows and now Acts Of Sacrifice are all, not surprisingly, penned by one J. Michael Straczynski who really has the pulse of these characters and where he wants to go with his story. In fact, looking back to By Any Means Necessary from Season 1, there is pure venom between Londo and G’Kar. If you remember, G’Kar was desperate for a G’Quan Eth plant for his religious ceremony. A Narn ship was destroyed in an accident that was carrying the necessary ingredients for the time-sensitive Holy Days of G’Quan. Londo possessed the required flower but would not aid G’Kar with his ceremony. He made his life miserable and did it with a smile [and to think at one point or another we thought perhaps Straczynski might go in a more positive direction for these two. He sure had us fooled]. The bad blood runs deep. It is a pivotal moment as we begin to see our perception change and sympathies transfer from Londo to G'Kar.

Episode 12, Acts Of Sacrifice, begins with Centauri warships attempting to wipe out a civilian transport ship of Narn women and children making a break for the jumpgate. A Narn vessel positions itself between the escaping craft and the Centauri. The sacrifice of those Narn saves hundreds.

Sheridan and G'Kar go toe to toe before making out.

The episode is jam-packed with emotional power and rising tensions beginning with Sheridan’s efforts to gather support against the Centauri military action in support of the Narn. Sheridan is alerted to Earth’s inability to intervene “officially” following Sheridan’s request to aid the Narn. G’Kar pleads with Delenn who is torn and unable to reconcile the hateful, vengeful rhetoric of G’Kar from the past and the possibility of the Minbari being drawn into another war that maynot be quelled.

Meanwhile, all sorts of lobbyists [with their own racial agendas] are turning to Londo for assistance given his newfound prestige and power within the Centauri Empire. Jurasik plays the role with a sublime panache combined with a touch of the temperamental. It’s a beautiful thing watching Jurasik deliver.

The conflict between the Narn and Centauri is escalating and not unlike any engagement of this magnitude convincing nations to fall in line and apply pressure to ending it is no small task. G’Kar is left frustrated and helpless at every turn for help. It is a thrill to watch these ambassadors jockey and navigate the political turmoil within the neutral zone of B5. Who knew political conflict could be so rife with excitement.

With G’Kar thwarted at every turn tempers rise

Londo, too, is coming to terms with his newfound political power. He discovers all isn't as he'd hoped. Suddenly he is feeling very alone as perceptions around him are changing. It is a troubling fall from grace to behold.

Londo gives good meaning to "with friends like you who needs enemies?," but he continues to pack a heartbreaking punch of his own as we still care about the esteemed Londo Mollari for the flawed Centauri that he is.


The fragility of these two leaders couldn’t be more heartbreaking as displayed for different reasons. G’Kar continues to try and do the right thing for his people. He even challenges his own people calling for calm, patience and cool heads on B5 in the hopes of gaining sympathy external to their own race. Let’s just say G’Kar is the freakin’ Narn! He has become a character with such a noble heart.

There is a brilliant juxtaposition of these two characters throughout the installment as G'Kar and Londo are caught up in the push and pull of their own personal demons amidst the unstoppable force and weight of dark forces much bigger than themselves and beyond their control.

The emotional energy is palpable in this one and I informed “The One To Be Pitied” how touching this episode really was. She didn’t care. She informed me that I was bothering her. I told her how moved I was by Katsulas as G'Kar. She told me, "you want to see him naked don't you." Now really. Honestly folks, Season 2 is resonating with me because the writing is more genuine and sincere than it was delivered or felt in the first season. I had a lot of praise in Season 1 for Jurasik, but for fans of G’Kar, Katsulas has really been something special in Season 2. These are two amazing characters created Straczynski and made credible by these two seasoned actors.

*

This is an emotional sequence and one of the best of the series to date.

G'Kar remains true to the path of diplomacy only to receive yet another crushing blow. The dignity of his people is on the line and he writhes in pain behind a brave face. This is one of the show’s most heartrending moments to date. It’s a brutal episode as the attempt at systematic genocide continues to unfold before the ambasador's eyes while he can do nothing. Equally troubled is Delenn in that brief scene as she clearly desires to do more for G'Kar and yet she too has no answers.

Stepping back from it, so much of this story plays like a modern version of Greek tragedy. There are paths that characters take that will inevitably end badly and as events unfold you know there is this momentum in place and all of these wonderful characters seemingly play a part of decisions that cannot be altered. It's as if destiny's hand is pulling their strings. You just want to scream at the screen in frustration. The future is hurtling toward them and with each poor choice tomorrow looks dark indeed.

To lighten the mood a second thread for the installment features Ivanova with her extraordinary riff on the Meg Ryan fake orgasm. Ivanova has been tasked with establishing an ambassadorship with a race of elitist aliens. Custom has it they must have sex first in order to establish such a relationship [my brother would like these guys]. Ivanova turns the tables by informing them they will have sex her way, hence the orgasmic performance!

Londo to Garibaldi: “It is good to have friends is it not Mr. Garibaldi? Even if maybe only for a little while.” Truly tragic stuff.

Acts Of Sacrifice: A-

The Alien Space Ride [a.k.a. Bus Field Trip]

Folks! I just survived a school bus field trip filled with third graders. I thought, maybe, perhaps, at the end of the ride there might be an "I Survived" T-shirt waiting for me there. This thing was packed with aliens, I mean kids, and they were so erratic and noisy it was like an out-of-body experience. Everyone was talking, but damned if I could tell you what the hell any of them were saying. I felt like a foreigner in a strange land. In fact, I think I know what it might be like to be human on Babylon 5 now.

It was fun, but bizarre. Oh and let me tell you, teachers don't get paid enough. This was a three hour block of time and it felt like an eternity. The patience these people have for the children and the energy they need to expend to maintain order- I mean seriously they deserve every penny they earn.

En route to our destination the bus quickly lost its air supply. The windows began fogging up and Oxygen was quickly displaced with Carbon Dioxide. I wanted to reach up and open a window but wasn't sure of the 'bus rules' and there were three to a seat. It was so stuffy in there I felt it was the Hot Zone. I mean no wonder these kids get sick and bring things home all the time. Their sneezing and farting and one of the teachers went back on board to get something and said it smelled. Of course we didn't know it because we were all slowly dying from whatever it was we were gradually breathing all the way to our destination. On the way back I cracked a few windows. I adapted and overcame.

Kids were doodling names and drawings in what seemed like an alien language on the windows. It felt like I was in some kind of prehistoric cavern with cave drawings.

There was so much noise some children covered their ears. Oh and the bus driver, God bless her too, she turned on the radio on the way back. It was on, but I couldn't hear it. Somehow the kids could make it out because everytime it got to the chorus it was "don'tchya wish your girlfriend was hot like me, don'tchya wish ya girlfriend was a freak like me." It was that and something about shaking hips. It was loud and inaudible and as every 18 wheeler passed us on the way home it seemed like we were going backwards. It was a looooooong 25 minutes.

I departed the bus and felt as though I had just done the Tour De France.

When I got into my own car I was wiped and my ride home was the most peaceful ride in space that I had ever experienced. Bless all you teachers out there wherever you are.

B5 S2 Ep 10-11: Gropos & All Alone In The Night

The sultry-lipped Commander Ivanova.

This is shaping up to be one mighty, damn fine space opera!

The Babylon 5 Season 2 fun continues following on from the despair found in The Coming Of Shadows. That episode was so flat out powerful, I was like 'where the hell do we go from here?'

What is interesting at this point is even when an episode doesn’t quite succeed it’s still pretty damn good. The natural flow is there and that keeps things hopping. If I haven’t given the impression, I’m definitely hooked and caught up in these characters lives. There becoming like old friends. ‘The One To Be Pitied’ is always telling me, “these people are NOT your friends.” I tell her that's just not true, they are indeed my friends. Imaginary friends yes, but friends nonetheless. She's just jealous.

Does Robert Rusler really need to be in the credits for this show?

*

Gropos inevitably lightens the mood following the white-hot intensity of The Coming Of Shadows. We see B5 forced to accommodate an influx of 25,000 soldiers [a.k.a. ground-pounders, jarheads or gropos]. Leading the troops is Dr. Franklin’s estranged father. B5 is being established as a staging center for an assault. Meanwhile, following on from all the action Londo or Winters has had, Garibaldi finally, almost, gets a piece of …errr, the action. New defensive systems are installed on B5 equipped with pulse systems and tracking three times faster than the more antiquated system in place. Why do I get the feeling they’ll come in handy later? There’s a lot of touchy-feely drama and relationship moments in this one. I kinda dig touchy-feely. It worked just fine for me, afterall these are my friends. If not one predisposed to the enjoyment of a tug on the ol' emotional heartstrings, a good, old-fashioned, balls-to-the-wall, bare-knuckle bar brawl ensues. That was nice to get the blood going.

All Alone In The Night concentrates on Sheridan and Delenn. Sheridan is captured by an alien vessel and the story mirrors elements of the classic film Enemy Mine as Sheridan allies with a Narn for survival. Elsewhere, Delenn is summoned before the Grey Council for judgment from the nine. Culturally, we learn more about the Minbari. The council is comprised of three components of Minbari society/ caste: warrior [3 members], religious [3], worker [3]. Delenn is of the religious caste. Surprisingly she learns her position has been replaced by that of a warrior off-setting the balance of the nine. Delenn is treated as an outsider and in essence banished by her people despite her noble intentions as a bridge between human and Minbari. Loyally Lennier remains by her side. Delenn seemingly is alone in much the same way as Sheridan. Meanwhile, the Agamemnon is sent through the jumpgate to save Sheridan. All in all the acting was a tad overdone specifically by Richard Biggs and Bruce Boxleitner, but everyone's entitled to a bad day. Most interesting, Sheridan had a vision while aboard the alien craft whereby Kosh tells him, “you have always been here.” Kosh repeats those same words when he returns to Babylon 5. Sheridan looks entranced as Kosh walks away. This is the stuff that really captivates in B5.

The final act of All Alone In The Night is the most intriguing. Sheridan is visited by General William Hague. In relief, Sheridan indicates he’s been waiting on the station for a debriefing for six months and that he thought he’d been forgotten. So, Sheridan is clearly there as part of a plan initially designed by former President Santiago. Hague informs him that Psi Corp may be involved in the assassination of the former Earth President and he will contact him whenever possible with information as they move forward. The two patriots pledge to take back Earth by doing the right thing. Sheridan has observed those he can trust and calls a private meeting. Ivanova, Garibaldi and Dr. Franklin are all on board regarding his confidence. “We’re with you Captain. Wherever this goes, however it ends, we’re with you” assures Ivanova. Now, that’s loyalty folks! Tremendous qualities hard to find these days. One last thing, Ship effects are really beginning to shine in this series.

Gropos: [C+]

All Alone In The Night: [C] [Roberty Foxworthy guests with a small but excellent role in the final minutes]

Sheridan: "There’s only one truth about war. People die. Killing is part of a soldier’s job. We can’t deny it. We can only live with it and hope the reasons for doing it are justified."

B5 S2 Ep 9: The Coming Of Shadows

Babylon 5 has arrived! The Coming Of Shadows was a near perfect mix of mind-blowing political intrigue, action and pain, emotional pain and lots of it. This episode nailed it! We’ve been leading up to this with a number of fine entries, but this is downright explosive.

There's so much in play I had to dedicate the entire entry exclusively to Episode 9 of Season 2. The installment takes the name of the Season's umbrella title. There certainly have been signs concerning the Shadows from the re-appearance of Morden to sightings in hyperspace.

The Coming Of Shadows begins by touching on the reason for that outrageous Centauri hair. As we meet the Emperor we understand the trademark doo is a symbol of power and a trapping of stature and when he is slated to visit B5 he leaves it behind. That decision is symbolic of his final act in reversing the harsh doctrine of Centauri policy as his life concludes and atone with the Narn.

Understandably, given their history, G’Kar is incensed to learn of the impending visit by the Centauri Emperor and plots his assassination by his very own hand. As G’Kar dictates what he believes may be his final words to a computer it is fascinating to witness G’Kar's resolve. His determination speaks volumes of the Narn's hatred for the Centauri following over 100 years of oppression. He is willing to sacrifice his existence as a symbol of Narn resistance. However irrational it may seem it clearly illustrates the long, painful history between the Narn and Centauri.

A power play is at hand for a political coup d'etat of Centauri Prime by Londo and associates. Londo’s loyal aid, Vir, justifiably pleads with him to avoid tempting fate in reaching out to Morden [exceptional recurring role by Ed Wasser]. Vir knows all too well it's a mistake to do so and it is clear to Vir that Londo is suceptible to the toxic elixir of power despite Londo's own reservations. "Don't do this! There's no turning back once you start down that road!" begs Vir. Vir, like any of these exceptional ambassadorial assistants, has proven his worth time and again often disagreeing with Londo's preferred hardline position. Looking back at The War Prayer in Season 1, you'll recall Vir's impact on Londo's decision concerning the young lovers. That episode shed light on the importance of Centauri pride and tradition. Yet, where Londo exhibited a willingness to break from tradition then, he's beginning to show signs of a much less yielding side in Season 2, thanks to his newfound Shadows' support. Interesting that Morden found his instrument within Londo and not through G'Kar as tempted in Signs And Portents from Season 1.

Flashback: Signs And Portents is even more interesting with more information at my disposal. When Morden arrives on B5 he clearly looks to G'Kar and asks "what do you want?" and G'Kar responds in kind much the same way as Londo. The most unsettling is his inquiry of Delenn who in horror places her hand over a glowing symbol upon her forehead. Morden is darkened by shadows and abruptly asked to leave. The fear is palpable. Finally, interestingly, Morden absconds from the view of Kosh earlier. Later he inadvertently runs into Kosh where Kosh directs him "leave this place, they are not for you." So again, Morden selected Londo over G'Kar and I can only wonder why. I surmise that it has something to do with G'Kar's soul and how his reaction seems more in the passion of the moment rather than someone hell-bent on self-destruction. G'Kar's nature, like the Narn, is out of self-defense, not driven by an interest in conquering and ruling like that of the Centauri. Londo appears more suceptible to influence and more embattled by demons. There is a fragility to Londo's psychology and more lofty goals in his blood by his people's very design.

So with The Coming Of Shadows, in an unexpected move, the Emperor, to G’Kar’s surprise, apologizes to him through Dr. Franklin for the Centauri’s treatment of the Narn. G’Kar, who often times appears interested in making bridges, expresses hope upon seeing Londo. Unbeknownst to G'Kar, Londo has already set the wheels of war in motion with an attack on a G’Kar civilian populace in Quadrant 14. Londo appears absolutely stunned by a crisis of conscience jarred by G'Kar. Meanwhile in Quadrant 14, The Shadows arrive and strike hard with their swift, lethal and devastating purple-pink laser power and within seconds all is destroyed. As the Emperor lets go of living, Ambassador Kosh appears before him like an angel. The Emperor inquires, “how will this end?” Kosh replies pointedly as only Kosh can, “in fire.” Good to see things are lookin' up.

This was a pivotal entry in emphasizing the genius of J. Michael Straczynski. Throughout the near entirety of Season 1 Londo was built up to be a kind of womanizing ladies man, a good-time charlie, a trusted ambassador perhaps, and more and more a frustrated politician. Straczynski purposefully developed the characters in such a way that viewers weren't necessarily seeing the entire picture. The motivations and backgrounds of Londo and G’Kar were perceived one way in Season 1 and yet another in Season 2. These perceptions began changing and our initial sympathies were redirected. Straczynski's masterstroke was to throw us visual cues. The wild-looking Londo, with hair in the mold of a geisha fan, hardly appeared the threatening kind. G'Kar was graced with a more bellicose appearance and we immediately formed opinions incorrectly. Afterall, how could anyone that looked like Londo Mollari possibly belong to a race of subjugators? Alas, the other shoe has dropped and Straczynski sold it hook, line and sinker to us. As stories and characters develop perceptions continue to change to the benefit of the viewer's journey.

G’Kar eventually reveals more on the Narn’s tragic history and ironically, as viewers come to find out, his genuine spiritual make-up through G'Quan [see By Any Means Necessary in Season 1]. Reversely, Londo has unveiled a more self-absorbed side and an unquenchable thirst for power. His desire for Centauri glory seems insatiable and as it grows unmolested so does too does our lowered opinion of him. The ambassadors switch places in our minds thanks to the strength of story designed by Straczynski Appearances can be deceiving indeed. The more we learn of the Narn and G'Kar, the more we understand them to be victims. Remember, it was G’Kar who dispatched a rescue to Catherine Sakai [Sinclair’s girlfriend] out on Sigma 957 [see Season 1 Mind War]. He had warned her of the dangers there. It wasn’t just posturing and he sent assistance. It was here we began to see signs of this Narn's true make-up. What a fascinating evolution of character. The fragility of ambassadorial and racial relationships continues to unveil themselves.

Another pleasant surprise is the return of Michael O’Hare's Sinclair. He re-enters the picture by way of a video communique to Security Chief Garibaldi from the Minbari homeworld, Minbar. Sinclair warns, “there’s a great darkness coming Michael, some of the the Minbari have been waiting for it a long time.” He informs Garibaldi of a newly established group dubbed the Rangers. They are a small army that is growing in number in preparation for the war ahead. Their mission is covert and only Delenn, outside Garibaldi, knows of their existence outside.

The prophetic words of Sinclair and a glimpse of Andreas Katsulas' amazing performance.


So, G’Kar learns of the Centauri betrayal on the Narn as orchestrated by the seemingly far more disturbed Londo. G’Kar justifiably goes positively apeshit. To say Andreas Katsulas and Peter Jurasik nail their roles is an understatement. Their relationship is dynamic, emotional and at the core of propelling this story forward. To see G’Kar a broken Narn and emotionally crippled is truly moving stuff. I can’t recall the last time I felt this bad for a character in science fiction.

*

Londo is misguided by delusions of grandeur, yet images of his fate [G'Kar's hands wrapped around his throat] at the end of a “damned” existence continue to haunt him. This may explain his decision to remain in the ambassadorial post in the hopes of altering his future. Vir knows his lust for power is real and tells Londo "that is what you want." Londo sidesteps the prophecy of fate by telling Vir, "No, I have no desire to be emperor. No, I prefer to work behind the scenes. The reward is nearly as great and the risk far far less." Londo is a troubled man.

Meanwhile, we are brokenhearted for G’Kar. Betrayal is at the heart of this entry and you can hear the pain and loss in G'Kar's voice. Captain Sheridan visibly exhibits much empathy for his plight while maintaining a professional distance, but he is indeed concerned. We witness this later when Sheridan visits G'Kar following his rager and G’Kar speaks softly, “Sheridan… thank you for stopping me.”

At an emergency session of the council, Londo takes the floor as the prideful Centauri ambassador complete with his 'proud as a peacock' hair in full bloom over Centauri Prime’s control of Quadrant 14. A clearly somber and seething G’Kar announces a declaration of war by the Narn for the Centauri aggression. After 100 years the Centauri are rising up again. Meanwhile, the Shadows are quickly achieving their goals through Londo's lust for power. I would never have envisioned Londo behaving like the devil himself.

Folks, this is the pinnacle for me at this point. I continue to be thoroughly astonished by the direction this series has taken. Straczynski's story is taking on epic proportions grounded in human and alien frailty. I love it.

It's also worth mentioning beyond the performances that the computer effects are outstanding here. Perhaps it is the dark color combinations coupled with the nondescript or indistinct, fluid nature of the Shadows, but the CGI is impressive in realizing the ominous and frightening attack by the spidery-like forces.

This is one hell of an episode.

The Coming Of Shadows: [A-]

B5 S1 Ep13: Signs And Portents [Redux]

I am in the enviable position, for those of you have already seen Babylon 5, of enjoying the Babylon 5 experience for the first time.

If you're like me, and you've seen a series, you're always envious when someone gets to see one of your favorites through fresh eyes as you recall how exciting it was watching it for the first time.

I always feel that way when I hear someone is checking out Stargate SG-1 for the first time. Anyway, I was revisiting Babylon 5 Signs And Portents: Season 1, Episode 13 again, Signs And Portents because, well, it was kinda 'portent for me to check it out again. So much happened in that entry that informs and reverberates throughout Season 2 and probably beyond that I felt it was worth reviewing it with the new information I have acquired from the show. It helped me with a few thoughts concerning some upcoming entries for Season 2. I'll get back to that momentarily.

In fact the more I immerse myself in Babylon 5 the more I seem to want to write about the details.

Here is a scene from Signs And Portents. It's one of the primary reasons I have been falling head over heels for this series. Andreas Katsulas and Peter Jurasik own the frame as G'Kar and Londo Mollari respectively, and anytime they share the spotlight it is a pleasure to watch them deliver the drama. I particularly love G'Kar's reluctance to join him at the elevator. Haven't we all been there?

B5 S2 Ep 5-8: The Long Dark, Spider In The Web, Soul Mates & A Race Through Dark Places

A Few Good Men indeed.

It’s full steam ahead with Babylon 5 Season 2: The Coming Of Shadows Episodes 5-8.

My immediate reaction thus far is that Bruce Boxleitner was a fine choice to be sure. The man has quickly usurped any feelings I may have had in feeling bad that O’Hare got the boot. Boxleitner is simply terrific and a joy to watch. I have fallen in love with the man!

Season 2 has been a more enjoyable experience thus far.

The Long Dark continues to plunge us headlong toward the unknown forces that are the Shadows. The influence of that arc seemingly permeates each episode in some small way. Stories and plots unfold that not only stand alone but also impact and play into the relevance of the overarching Shadows thread. Each entry weaves beautifully into that longer arc whether it is through affected characters or deep space sightings.

In fact, The Long Dark played like a tip of the cap to the mood of Alien and its vessel the Nostromo [in this case the Copernicus]. The creature is now aboard B5 and on the loose. There is some terrific tension here, but the final battle with the “soldier of darkness” is anti-climatic and the weak effects portraying the creature don’t help. Again, while it plays as an exciting entry, this so-called "soldier" is also believed to be one of the forces making an effort to gather on the Rim at the Shadows' calling.

Interesting factoid: Jumpgate technology was a result of trade with the Centauri.

Spider In The Web continues to delve into the series' brilliant conspiracy politics. The ambiguity of the Earth agenda and the ongoing questions surrounding Psi Corps are influencing and affecting B5 neutrality. The political struggles within the show add yet another complexity to a maturing show. In fact, for me, the most intriguing and seemingly duplicitous moment comes by way of Talia Winters. An engaging backstory on her leads to the uncovering of a covert operation involving Psi Corps during a mind scan. When asked who she saw inside the scan she purposefully denies the truth to Commander Sheridan. Why? Loyalty to Psi Corps? Something else? What is Ms. Winters' subtext?

Sheridan adds additional questions to B5's growing mythology by confiding in Garibaldi information pertaining to a rogue agency dubbed Bureau 13. Tasty stuff!

The irony of Soul Mates is that past and present lovers rearrive that aren't exactly desired or wanted. The focus is on both Londo and Talia Winters. Londo’s three wives arrive on B5, while Winters’ former Psi Corps lover, Matthew Stoner, also looks for a re-entry of sorts in the hopes of retrieving her. Winters, of course, had a previous dalliance with former lover Jason Ironheart in Season 1 Mind War where he graced her with enhanced or heightened telepathic powers. About the only one not getting any action so far would be Delenn. Anyway, Londo's third arrival is an utter hottie, albeit an utter bald hottie [all Centauri women are bald]. I’m okay with that. The trio is informed that two will receive divorces and one will remain. You’ll need to guess which one Londo prefers stoke his fire.

Minor footnote: At least two of Londo's wives are not the same as those pictured and referenced lovingly as "Pestilence," "Famine" and "Death" way back in Season 1's The War Prayer. This installment is in full Love Boat affect? Where's Gopher or Doc when you need 'em.

Meanwhile, Winters is coaxed into believing she can escape the grip of Psi Corps and that Stoner can help her suppress or completely rid herself of that all-consuming telepathic albatross. Garibaldi does everything in his power to protect her. He has more than a passing interest in B5’s curvy blonde bombshell. In fact, as I've come to find out, Jeffrey Doyle married Andrea Thompson in real life.

The final entry, A Race Through Dark Places, sees economic pressures applied to Sheridan and Ivanova from Earth concerning their accomodations. The orders are either relocate to smaller quarters or pay more rent. WTF! The guy is the Captain of a major space station. Wow, loyal service isn’t what it used to be. No respect at all. Despite the ultimatum Sheridan is a bit of a master at allocating expenses as we come to find out. Bester of Psi Corps returns as Winters shines away her newfound powers. Meanwhile, Mira Furlan radiates pure sophistication and European beauty attending dinner with Sheridan [she still ain't gettin' any].

The Long Dark: B- [Dwight Schultz of The A-Team guests with a pretty fine performance]
Spider In The Web: C+ [Adrienne Barbeau of The Fog and Escape From New York guests; Jeff “Grease is the word” Conaway unfortunately makes his first appearance]
Soul Mates: C
A Race Through Dark Places: C

Classic quote from The Long Dark
Garibaldi: “Lousy way to die huh?” Sheridan: “Last I checked there weren’t too many good ways.”

Classic quote from Spider In The Web
Ivanova: “You got a plan?”
Sheridan: “Let’s try not to get killed.”
Ivanova: “Brilliant.”

Sheridan to Garibaldi: “There is a spider in the web Mr. Garibaldi and I intend to find it and kill it.”

Classic quote from Soul Mates
Timov, wife of Londo, to Londo and his other two wives: “ Do you seriously expect me to become involved in your sexual Olympics?”

Portentous Quote by unknown alien: “When the darkness was defeated long ago they scattered, hid themselves away in secret places and waited. Now the dark hand is reaching out and recalling them from their sleep.” Deliciously creepy stuff.

You just gotta love Garibaldi. They just don't cook food thoroughly anymore.

B5 S2 Ep 1-4: Points Of Departure, Revelations, The Geometry Of Shadows & A Distant Star

Double 0 Boxleitner!

So I try to strike up a little conversation with "the one to be pitied" who is often in the room while I absorb my science fiction gamma rays. I mention I'm beginning my journey into Babylon 5 Season 2: The Coming Of Shadows. I inform her there is a major new development forthcoming. Michael O'Hare is going to be replaced by...I am rudely interrupted with "Mr. Who the Butt f@#! cares." Nice, real nice. That's the kind of loving support we have here folks. I continue undaunted... "NOoo, he is being replaced by Bruce Boxleitner of Tron and Scarecrow And Mrs. King [with Kate Jackson] infamy". The silence is golden and yes I continue my lonely journey into deep hyperspace my spirits undampened.

Well, I'm happy to say the Babylon 5 project is rolling headlong into Season 2. The minor changes have streamlined its direction remarkably well even in these first few episodes. As much as I'm pleased to put the uneven Season 1: Signs & Portents behind me, it was essential viewing I'm sure. You can't do it any other way. Now, Season 1 had its moments, but there is some relief in getting beyond it.

It was, despite my optimism for the future of the series, a difficult viewing experience. Still, suffering through the uneven affair sold me on the show through its characters. All aspects of the show: dialogue, acting and effects, were essentially quite rough in spots. My family loved taking shots at me. It was like a Shadows' assault! As much as I enjoyed the core cast I still had my reservations about moving forward. Fortunately some of you have written and reassured me to soldier on.

I recently read an article by J. Michael Straczynski emphasizing his intention to novelize his concepts over the course of five seasons [“this is a full-worked-out novel”]. He clearly had a gameplan and I cannot help but be intrigued at seeing the evolution of his vision. There is unquestionably a literary and more naturally dramatic feel and flow to the story as I enter Season 2. Season 1 must be viewed to appreciate the characters and intergalactic setup and reveal the diverse race histories.

Episodes 1-4 of Season 2 holds even more promise.

The biggest development is the obvious one. Sinclair [Michael O’Hare] has been reassigned to the Minbari homeworld as the first Earth ambassador. Bruce Boxleitner replaces him as Babylon 5 Commander John Sheridan. It is revealed Sheridan has a much more combative history with the Minbari than the seemingly more diplomatic Sinclair and to my surprise Boxleitner was more heated than I expected. The Minbari are displeased with Sheridan’s assignment. His character is a much riskier proposition to be sure. As much as I grew to like aspects of O’Hare’s personality, it is clear to me Boxleitner is a much more fluid performer. It was a command decision to replace O'Hare and I think the right one.

Watching the season opener, Points Of Departure, it was a pleasure to see Boxleitner play foil against the often career-minded, militarily professional and sometimes stiff Lt Commander Ivanova [Claudia Christian]. Granted she is softening her rigid, steely grip as well and she's the better for it. The biggest piece of new information, which I found to be a bit of a stretch, was the reason for the end of the Earth-Minbari War. Apparently, according to the Minbari Grey Council, Minbari souls were being reborn in human bodies. Okay. This secret, super-sensitive information was erased from Sinclair’s mind and kept from the Minbari population. Poor execution left me scratching my head on that one. Finally, Lennier also alludes to the prophecy of a great enemy returning and that it will require the combined might of Earth and the Minbari to stop these forces. He also refers to this enemy as their “mistake.” There are plenty of nods to the overarching story arc throughout these first four episodes.

Revelations continues by revealing some of the best effects to date as might be expected. We discover Sheridan’s former love Anna, died two years ago in an explosion. G’Kar returns from his mission evading near death to inform, “weep for the future Na’Toth, weep for us all.” G’Kar alerts us that an enemy of darkness has returned after 1,000 years. Katsulas as G'Kar continues to amaze in much the same way Jurasik as Londo impresses. He commands the camera and delivers the drama note perfect. By the way the red lighting in his bedroom seems a bit kinky for my taste, but the lassies seem to like it. Na’Toth is now played by a new actress. I think I preferred the fiery persona of the former. Let's put it this way, I doubt you'll see actress Mary Kay Adams force a Deathwalker smackdown.

Londo continues to cozy up to the enemy [Morden of The Shadows] despite his reservations. He is playing a very dangerous game and his character's motives are transforming before our very eyes. He alerts Morden to the Narn presence on the Rim and the Narn are attacked swiftly.

The drama of Revelations flows smoother than any to date. Garibaldi returns. Delenn has exited her cocoon in her beautiful, near human form. She is now a bridge between the Minbari and Earth. Meanwhile, Sheridan smells something rotten with the new Earth presidency.

The Geometry Of Shadows rounds out Season 2's Straczynski-led, solid start.

Some key developments include the promotion of Ivanova to Commander. Garibaldi has a crisis of conscience on his role with B5 as he feels the effects of his friend Sinclair’s removal as well as his near death experience. We meet the Drazi, a most ridiculous race that battles for supremacy based on their association with color. “Green must fight purple, purple must fight green.” I’d be like, please, by all means, go kill yourselves. I know, not very diplomatic. It does illustrate the rediculous adherence to and absurdity of extremism of any kind. Straczynski is clearly unafraid to inject political commentary into his space opera.

The key link to the Shadows’ arc is the rare appearance of beings dubbed the Techno-Mage. They are emigrating to the stars to preserve the secrets they possess from the “storm coming, a black and terrible storm.” The final exchange between Techno-Mage and Londo is downright cautionary.

A Distant Star [penned by D.C. Fontana], is the season's fourth installment. At this point the most notable development for me has been Season 2’s flow. The chemistry of performances, writing and dialogue are more natural and relaxed than ever.

The continued build on the Shadows’ arc is teasing my anticipation with noted sightings of unusual objects in hyperspace.

Finally, it's worth noting that Andrea Thompson as Ms. Talia Winters isn't the only hottie, as Mira Furlan, now returned from cocoon status, is one of those strange, foreign beauties. She’s quite a sexy alien in her own weird right. Perhaps the term 'butterfly' might be appropriate here. I would have enjoyed being Captain Kirk.

*

The Season 2 cast includes:

• Bruce Boxleitner [Commander John Sheridan]
• Claudia Christian [Lt Commander Susan Ivanova]
• Jeffrey Doyle [Security Chief Michael Garibaldi]
• Peter Jurasik [Londo Mollari]
• Mira Furlan [Delenn]
• Richard Biggs [Dr. Stephen Franklin]
• Andrea Thompson [Talia Winters]
• Stephen Furstas [Vir Cotto]
• Bill Mumy [Lennier]
• Andreas Katsulas [G' Kar]
• Mary Kay Adams [Na'Toth]
• Robert Rusler [Warren Keffer]

Points Of Departure: C+

Revelations: B+

The Geometry Of Shadows: B

A Distant Star: B-

Babylon 5 The Complete First Season: Signs And Portents

You have to laugh at marketing. I mean that's what capitalism is all about right? Selling.

It's a bit comical to read the back of Babylon 5: The Complete First Season: Signs And Portents Box Set. You are passing the DVD isle looking for your latest science fiction fix when someone, perhaps unwittingly, stumbles upon Babylon 5. The box reads: "Babylon 5, a flashpoint for conflict located between five competing races, home to diplomats, smugglers, terrorists and dreamers."

That's pretty well said right, now the technical specs: "On DVD for the first time in a 6-disc, 22 episode set, the Hugo-and Emmy-winning series has been digitally remastered for superior presentation and includes Exclusive Extras. Combining action, adventure, drama and state-of-the-art effects, Babylon 5 has become a modern-day science-fiction classic popular around the world."

Okay, let's be clear, this could be one of the worst remasters you'll ever see. It's dirty and looks even like the lens has a filter on it at times. It's hardly the superior presentation described. Oh and those state-of-the-art effects, brilliant maybe circa 1994, but that was then. Those CGI visual effects are hard to take at first, but they do get better. And it is true they were pushing the envelope of CGI upon the show's inception, which aided in selling this show and getting it produced on budget in 1994.

That aside it's easy to see why this series would be considered a classic. While the first season was clearly uneven in its attempt to achieve footing, the assembled cast is charming and gifted and elevates the material beyond the technical imperfections. Further, there is a dark current that runs through this show. It is edgy and gritty within its imperfect station life. There's alot going on in the flawed lives of this lot. Real problems permeate this place: alcoholism, rivalries, deception, politics, secret agendas, religious extremism, lost loves, hidden, shameful and prideful pasts intermingle while everyone seeks a purpose. Yup! Sounds alot like another place we know. However roughly executed, some of the science fiction is solid and the everyday lives of B5 bring this space opera crashing back down to Earth time and again.

*

There are some nice extras for those looking to revisit the series too. All in all, I liked parts of the first season of Babylon 5 despite reservations regarding Michael O'Hare as the series lead in the beginning.

Conclusion: As many have said to me, you need to give Babylon 5 a chance if you haven't already and you need to be patient as the cast and writers/ directors find their respective grooves through conductor J. Michael Straczynski. Undeniably, Season 1 is a bit like eating vegetables as a five year old. It doesn't taste great, but their necessary for you, so you plug your nose and eat. Same here, it's necessary in establishing the world, the characters and the setup for things to come. Season 2 up next!

The [Not So] Fabulous Life Of Mira Furlan

The creators of Lost had warned that people would die in the final episode of the first eight installments for Season 4, Meet Kevin Johnson. The casualty of Croatian actress Mira Furlan [Babylon 5] as Danielle Rousseau was unexpected, but unless the island has different plans for her recurring character that bullet she took to the back in the final minutes of the show is all she wrote. It was definitely a bit of a surprise and disappointing for the mere fact that I did enjoy her input. Still, the development of her character had become a bit static and thus not surprising she took one for the team. Not to mention she died heroically defending her daughter. I will miss the Croatian actress' presence on Lost just the same. R.I.P. Rousseau.

Footnote: Mira Furlan has actually had a pretty tough life. I recently read she escaped the civil war of former Yugoslavia before landing a part in Babylon 5. She left behind a successful career and had to literally reinvent herself, adjust to life and language in the US speaking English. Her transition was quite painful initially, but she persevered and overcame the adversity to make it. She's a survivor who has led a pretty remarkable life.

B5 S1 Ep 22: Chrysalis

The worm turns for Delenn.

The final episode of Babylon 5, Season One, Episode 22, Chrysalis, plays out like the harbinger it is. There are changes to come symbolized by the chrysalis or cocoon Delenn is encased within. The mysterious figure that is the herald for this formative crisis reappears and creates havoc by meddling between the Narn and Centauri Prime. The entire episode is a jumping off point for Season 2.

Key plot points that set the wheels of change in motion for next season:

• Morden [agent of The Shadows] ensures the Narn outpost in Quadrant 37 is destroyed granting Londo's wish to 'handle the problem'. It isn't quite what Londo bargained for and he is visibly stunned and shaken by the exercise initially.


• Ambassador Kosh feeds Delenn information that accelerates her need to cocoon.


• The Earth President is assassinated.


• Garibaldi is shot and left for dead by the conspirators involved in the President's assassination.
  
• Upon learning of the attack on the Narn, Sinclair's fateful words, "nothing's the same anymore" reverberate into the next season. I wonder if he knew he was being replaced at this point. I suspect he did and it must have been difficult delivering those lines.

Au revoir for now Sinclair, we hardly knew ya.

Classic dialogue in the form of the ultimate man proposal from Sinclair to Catherine: "Look! Do ya wanna get married or don't you?" Romantic? Probably not, but it was completely in character.

Classic dialogue from Londo: "There comes a time when you look into the mirror and you realize that what you see is all that you will ever be. Then you accept it or you kill yourself... or you stop looking into mirrors." Straczynski's wisdom shines in the writing and the actors continue to have better material to immerse their talents.

*

Chrysalis: B

B5 S1 Ep 17-21: Legacies, A Voice In The Wilderness Part 1 & 2, Babylon Squared & The Quality Of Mercy

We're coming in for a landing. I have completed the next five episodes of Babylon 5 Season 1: Signs And Portents. Again, uneven overall, but moving in the right direction with one true standout entry.

Remembering it has been 10 years since the Earth-Minbari War, Legacies is an important installment. It continues to construct the B5 universe offering further insights into the races of the Minbari, Narn and Centauri. We specifically are enlightened to the two tier warrior versus religious caste systems of the Minbari. It is fascinating to see these races and their mostly mysterious histories inextricably woven together via the space station. Including the peoples of Earth, there are some complex and deep running rivalries at play here with each represented by their respective ambassador. This peace is a seemingly delicate and fragile one.

I reiterate from an earlier post that I continue to admire Sinclair's wisdom and patience. O'Hare, while imperfect as captain, is admirable indeed. Sinclair is also alerted to the mystery of the "chrysalis" for the first time here. The more information we receive regarding the cross-section of these races in question the more fascinating the world of B5 becomes.

A Voice In The Wilderness Part 1 & 2 exhibit some of the most impressive visuals to date, while still employing heavy doses of developing CGI. The art form is clearly a work in progress. Even more impressive is the set design and the lighting as Sinclair and Ivanova must rescue an alient sentient that is powering a planet [Epsilon 3, the planet in which Babylon 5 orbits]. One thing to be sure B5 has been carried by its strong supporting cast in Doyle, Jurasik, Furlan and Thompson to name a few. Funny thing is, ocassionally, a performer will arrive in a guest role for the show and serve up a laughable turkey of overacting. It's the most bizarre and uncomfortable thing to watch and it lands smack dab in the midst of the developing chemistry of the regulars.
*

Babylon Squared is impressive science fiction mixing ideas and action with character growth. This one was solid. There are a number of plot points at work. Delenn is asked to relieve herself as ambassador by her own Grey Council. She denies the request imploring that her mission to determine the course of human destiny is unfulfilled. It is this prophecy and mystery which led to the premature conclusion of the Earth-Minbari War. Delenn dubs it the calling of her heart. She is a puzzle. The Grey Council threatens exile for her from this council. Meanwhile Babylon 4, caught in some kind of strange time flux, has reappeared. Tim Choate delivers a terrific turn as Zathras warning the rescuing B5 of the stakes. He is an extreme ideologue devoted to 'The One'. The One turns out to be.... well, I won't give that away. You'll need to see it if you haven't watched it yet. Not unlike Delenn who alluded to Sinclair's purpose in A Voice In The Wilderness, Zathras informs him "you have a destiny."

The Quality Of Mercy was simply astounding for the mere fact we witness the normally reserved and seemingly dexter-like character of Lennier, played by Bill Mumy, go completely ballistic and all roadhouse smashing mouths at the casino in defense of Londo. Clearly, Lennier is the River Tam of the bunch. He would appear to be of the reglious caste of Minbar, but he clealry exhibits that of a genuine warrior. His past could be interesting. Some crazy physiological developments crop up via the always surprising Londo to boot. As I've learned, the Centauri has 6 sex organs. While gambling/ cheating a strange appendage was assisting Londo at the card table. Was that little package the Centauri equivalent of a penis? Nasty!

*

Legacies: C

A Voice In The Wilderness Part 1: C

A Voice In The Wilderness Part 2: C+

Babylon Squared: B

The Quality Of Mercy: C [June Lockhart of Lost In Space guests, but never actually shares screen time with her former son Will Robinson]

*

Tender Moments with Mike Garibaldi.

A foreshadowing from Babylon Squared. Minbari Grey Council member to Delenn: "These are curious times Delenn. I feel a great change in my bones. A new beginning- en end, I cannot say. We are surrounded by signs and portents and I feel a darkness pressing at our backs." Chilling stuff.

Classic dialogue from Garibaldi mumbled to himself after learning his former love is married to a man named Franz: "Franz, what the hell kind of a name is Franz?"