Let's face it Lost In Space may seem a wee bit campy by today's standards. It certainly doesn't hold up with the science fiction intelligentsia as it were like Star Trek has managed all these years. But there are clearly different expectations and it was a show created with different expectations by Iriwin Allen separate and apart from those created by Gene Roddenberry. But can we agree that today's standards suck! Because, Lost In Space, Season One in all its black and white glory, is a sight to behold. It captured the series at its most substantial and was certainly assured in its family-driven, science fiction identity. Whether it was the more significantly revered first season or the more colorfully discarded second and third seasons, it was always pure family-geared adventure and on that level it was simple, exciting and inviting each time out. Perhaps, at times, it was a little too simple, but that indefinable something captured by all involved, fronted by a conglomeration of acting talents and scriptwriters established a quality production comfortable in its own skin. Lost In Space has stood the test of time with much love and admiration by the likes of people like myself as a result of that singular focus.
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As we head into the fifth installment of Lost In Space via The Hungry Sea we see the creators giving serialized television a run for its money with cliffhangers and continuity as the series has been linked to this point since its debut.
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Our fearless family is trapped inside a lost city. Siblings Penny Robinson and Will Robinson are trapped behind a wall. Somehow Major Don West and Judy Robinson manage to get the stone wall to turn and maneuver to the other side to rescue them both. In a real head's up move by the major he turns his back on the shifting wall and it closes locking all four of them inside. Not West's brightest move to date. Professor John Robinson and Maureen Robinson find their loved ones. John starts blasting the wall with his laser-cutting weapon to free them.
The inspiration for the Chariot?
The credits roll with John Williams amazing score. The music signals it's time to be transported to another place in space. My God. I never seem to tire of that theme song. It really is a phenomenal score.
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Another Snowcat gem.
So the Robinson family breaks free of the city of death and off they go in the Chariot! I love The Chariot. I suppose in many ways it's not much more than a snow cat with glass encasing, but I still love it. Who wouldn't want one of those Snowcats. Back at the Jupiter II, Dr. Zachary Smith is in typically gleeful form snapping away at Robot. I have friends who love this show right along with me, while there are still others who scoff at the writing. Let's put it this way, sure it has its moments, but it's pure escapist family entertainment, not Farscape. The show was always good for some witty banter and tremendous barbed dialogue. Here's a pretty classic exchange between the good doctor Smith and Robot.
"RRRRapidly." I love how Robot can roll those 'R's. We get a glimpse of Dr. Smith's cowardly underbelly in those final seconds. It's now 51 degrees in the Jupiter II.
125 degrees below outside. Temperatures are dropping rapidly for both Smith and the space family Robinson who are now making their way across the frozen Inland Sea. Don suspects it couldn't be less than 20 feet of thick ice. Nice computations with no scientific evidence from which to draw. Meanwhile back at the Jupiter II Smith uses Robot as his own personal hot coffee maker. Smith suspects the Robinsons have become either human Popsicles or monster meals.
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104 degrees below outside. 98 below and rising. Temperatures are quickly taking a turn for the better as it turns out to the benefit of one Dr. Smith. Smith is quickly worming his way out of another potentially doomed jam. The computer readings indicate things are going to heat up substantially very quickly. Smith, with some relish, regards the Robinsons as sure to be vanquished. His character continues its gradual transformation to coward. Not surprising, Smith wouldn't know what to do without the Robinsons.
Another Snowcat beauty.
As the Robinson family rolls along Debbie the Bloop sit in tow happily on Penny's lap as snug as a bug in a rug. Ultimately, it was Debbie who caused a lot of grief back at the lost city despite the family escaping with their lives. Debbie managed to return back to the Chariot just in time for a free ride following her latest adventure. She's a trip! Don and John discuss the readings and the rise in temperature and begin to question their decision to flee the Jupiter II. Don stands by his decision.
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They really need to make coffee makers like Robot.
Back at the Jupiter II Smith continues to enjoy his Robot brow beating time. I wish I had a dollar bill for every time Smith threw out a zinger at the Robot. I'd be a rich man. He has the best lines. They are really caustic, sharp and witty. Jonathan Harris came up with much of his own dialogue and Irwin Allen allowed it thanks to the growing popularity of his character.
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Robot [warms coffee with several electric zaps].
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Smith: "I said warm it up not boil it away." "I'd get more companionship from a cuckoo clock." Boy, he is rough. Robot would essentially become Smith's closest friend as much as that is mechanically possible.
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The ground quakes as the temperature rises. Smith just can't stand it and sensing the possibility he might actually be all alone should the Robinsons perish decides he's not so fond of the solo idea. Smith makes the decision to warn the Robinsons in the hopes they might live.
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Note plastic figurine family inside The Chariot. They look to be a few family members short.
There's an absolutely brilliant shot of the Chariot rolling along on land and it's close enough to the camera you can see the doll-like figures inside positioned as the Robinsons shaking back and forth from the movement of the craft. It's hysterical. Don comments how the darkness has given way to daylight. John ingeniously observes "it's a strange planet." Yes, you're in outer space and a long, long way from home. As they rove along on their Chariot tracks Smith reaches out to the Robinsons. 
Smith has done nothing to earn the trust of the Robinsons from the get go given his prior covert status as saboteur. Smith is like the boy who cried wolf at this point and is rarely given the floor due to a lack of credibility. The Robinsons move forward without heeding his warnings. Smith is beginning to plot and scheme as he sees fit to meet his needs and his ends without necessarily destroying the family that remains his final connection to humanity. We all need the human touch right?
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Smith: "Lame-brained, misbegotten skeptics, now they'll all die."
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59 degrees Fahrenheit outside and rising.
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Smith [referring to Robot]: "Stranded on an alien planet, no one with whom to exchange intellectual ideas, no one to talk to except this, this animated weather station."
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Pre-green screen.
Smith decides on sending Robot on an 80 mile mission. He must deliver a message to the Robinsons. Oh my God! So the Robot is standing in place while ice scenery scrolls behind him as evidence he is making his way to the Robinsons. It's a classic. I thought the ice was going to melt with the temps rising. Robot, watch out for that melting Inland Sea.
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I will quote John Robinson to makes sense of the nonsense. "Very little on this planet makes sense." there you have it. It's dark again. Don and John find burned vegetation. Moments later Robot comes strolling into their makeshift camp and Don grabs his laser pistol and blasts him despite Will's protests and outcry. Wow, all that way and that's the thanks he gets. Geesh. 
Granted, if I was 80 miles away I'd be a little concerned about seeing the Robot waving his arms about and yelling "matter of life and death" based on his short, erratic track record here on the series.
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John and Don have their first verbal beef when John tells Don "you could have waited Don we always had our lasers." Don looks at him with the classic Major West 'hey, thanks a lot for having by back' look. Will correctly surmises Robot was bringing the family a message. Yes, Robot was bringing the family a string of tape filled with orbital data regarding the planet's weather conditions. Here is our first official battle of testosterone-driven fun between titans Don and John.
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It's a great exchange and I love the last parting comment from Will as he goes and strolls off. He cracks me up. Well, Don is pretty steamed up and Judy visits Don sort of adding insult to injury by taking her father's side. So we have our first Judy and Don lover's spat here. Talk about feeling all alone in space. Ouch!
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There's all kinds of tension with the heat rising here on The Hungry Sea. In preparation for the bake-a-thon the family sets up their aluminum foil-based solar deflectors. Thank God they had those supplies with them. Who knew? It's 108 degrees now and at least their solar deflector-like awning is ready to roll.
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Cut to a tender moment between John and Maureen. There isn't a bit of sexual heat between these two actors [remember, it's a family show], but they are sweating up a storm. They do engage in a sweet hug with John rubbing her shoulder. Before you know another tremor greets the family. It is a strange and volatile planet to be sure. Shields are back in place. Geologist John Robinson and pilot Major Don West are at odds and continue to be so. I always liked the strong male personalities as a kid. I always loved both of these guys and sometimes I wasn't sure who I was rooting for. It was like Starsky & Hutch in space for me. They were both tough and I admired both of them at different times equally. What's a young lad to do? The sequences made for some terrific, albeit brief, character development for the two heroes we so admired in the series.
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The sun comes along in all its blistering glory as the family takes cover under the shields. Twigs and rocks flame and steam all around them from the scorching heat. 
Those better be some strong solar deflectors. Later, even the Robinson shields are charred and blackened from the heat. Still, they somehow manage to survive, dehydrated, weary and weakened, but glad to be among the living. It was like Kenny's honey roasters for awhile there. The family prepares to head back to their home away from home, the Jupiter II.
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This is another great exchange between pilot Don and geologist John while whippersnapper Will pipes in freely with little respect for his elders. I do think his father tried to give him a cue to hit the road, but Will needs to cool it. Still, his affection for the Robot is growing and it's never more evident than it is here. 
He declares Don is murdering the Robot as it is disassembled. Now that's a stretch Will. It is a robot after all. Don is clearly more than just a pilot, but pretty good with machinery as well. By the way isn't an "animated hunk of machinery" the same thing as a "robot"? The writers on Lost in Space do their best with the family plan.
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The family prepares for the journey home and the hungry Inland Sea. As a kid, this kind of just rocked the house with coolness for me. The modelling shots, while certainly explainable, are classic and outstanding even by today's standards. I'm reminded of similiar model shots used in Gerry Anderson's Thunderbirds and Space:1999. There's nothing better than miniatures. This is beautiful work.
Watercat.
A storm arrives and the Chariot is tossed about to and fro, but does an impressive job of staying the course and absorbing the shock and pummeling of the Inland Sea's raging waves. "We're not getting any power" hollers Don. The Chariot is unresponsive. Yeah John, maybe you should have listened to Don. As a child with a thirst for excitement and adventure this was the scene to end all scenes when Don went topside to reconnect the solar batteries. It's one of those standout scenes that absolutely takes your breath away as a kid. I've never forgotten it and may have re-enacted the sequence in my own backyard a time or two.
John takes time to write some thoughts in his journal and the family stops and gives thanks in "a weird tropical paradise." Well guys, it's not nearly as weird as that Cyclops or even Debbie the Bloop. This planet is a treasure trove of oddity and has made for an exciting run up to this point. The family gathers for a moment of Christian prayer and thanks for their blessings. I'll tell you, it's rare to see a sincere moment like that in television with characters giving thanks. 
It almost seems strange watching it now after being so desensitized to the mindless violence or prankster comedy of today's television shows. I also loved when Don waits and pulls Debbie from the Chariot. This is pretty sweet stuff.
Smith sees the family coming over the horizon and cannot believe his eyes- John Robinson is alive. Why? Perhaps because Smith had actually programmed Robot to take care of him specifically. John does the right thing and apologizes to Don for not listening to his solar battery concerns. Don, too, demonstrates himself to be a very standup guy here especially to young Will. Will also makes ammends with Don in his own way. Then there's young precocious Will trying to see if his Dad was wrong behind his back.
As Maureen brings her husband a cup of coffee I couldn't help but wonder how prepared they were for food and drink. Thank god for gardens, although I'm not sure how those things are fairing in the extreme hot and cold temperatures. Just a thought. John's journal says it all, "the supreme question has now become one of whether we can survive."
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Because you demanded it. K-TEL presents ROBOT playing the hits.
Robot performs a little Paddy McAloon and some Prefab Sprout or is it Duran Duran's 'Electric Barbarella' or perhaps Styx 'Mr. Roboto'?
With the family finally safe at home I found myself to be bloody exhausted. There's enough adventure here to lay a six year old out cold for a good night's sleep. With the heat rising tensions between everyone were also rising. That nasty old Dr. Smith is finding a way to place a wedge between certain members of Team Robinson.
An electrical storm upon them, John gives everyone a lesson in Electrical Storms 101. The radar picks up a blip and "it's a missile and it's headed straight for us." Good Lord. Just as everyone was about to hit the hay. Is there no rest for this weary band of travellers? The Hungry Sea is loaded with great moments of action and character growth and remains one of my favorite entries of Lost In Space.
Deadwood, South Dakota.
In this sequence, Al Swearengen visits Doc Cochran who is handling whore chores in Deadwood. It's a pretty vile business as the Doc is clearly overworked just keeping up with Swearengen's brothel demands. Next to the always magnificent performance of Ian McShane, Actor Brad Dourif [The Lord Of The Rings, One Flew Over The Cuckoo's Nest] serves up turn after turn of equally engrossing work. This is a rare moment of challenge for Al Swearengen.
Swearengen really displays the monster within in this very moving, vulnerable sequence. There's something terribly unnerving when a child is involved with any kind of potential danger and menace and McShane nails the moment. It is deeply unsettling.
Finally, McShane reconnects with Seth Bullock and Sol Star. The performances of Olyphant and Hawkes are truly wonderful in this series. Once again, these two actors serve up some delicious tension and wonderful drama amidst the splendid cast of Deadwood. I can't say enough about these two fine performers opposite the masterful Ian McShane.
